{"id":"seal-script","no":368,"name":"Seal Engraving","ja":"篆刻","era":"Qin dynasty–","family":"書の伝統","kind":"技法","collection":"Dictionary expansion 18","addedAt":"2026-08-18","source":{"title":"UNESCO — Art of Chinese seal engraving","url":"https://ich.unesco.org/en/RL/art-of-chinese-seal-engraving-00217"},"reference":{"status":"verified","pageUrl":"https://ich.unesco.org/en/RL/art-of-chinese-seal-engraving-00217","credit":"UNESCO — Art of Chinese seal engraving","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/HK%20Admiralty%20%E9%A6%99%E6%B8%AF%E5%85%AC%E5%9C%92%20Hong%20Kong%20Park%20%E9%A6%99%E6%B8%AF%E8%8C%B6%E5%85%B7%E6%96%87%E7%89%A9%E9%A4%A8%20Museum%20of%20Tea%20ware%20%E7%BE%85%E6%A1%82%E7%A5%A5%E8%8C%B6%E8%97%9D%E9%A4%A8%20Dr%20SK%20Lo%20Gallery%20exhibition%20Chinese%20seal%20art%20%E5%9C%96%E7%AB%A0%E7%B4%85%E5%8D%B0%20%E8%97%9D%E8%A1%93%20red%20chop%20print%20July%202022%20Px3%20058.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:HK%20Admiralty%20%E9%A6%99%E6%B8%AF%E5%85%AC%E5%9C%92%20Hong%20Kong%20Park%20%E9%A6%99%E6%B8%AF%E8%8C%B6%E5%85%B7%E6%96%87%E7%89%A9%E9%A4%A8%20Museum%20of%20Tea%20ware%20%E7%BE%85%E6%A1%82%E7%A5%A5%E8%8C%B6%E8%97%9D%E9%A4%A8%20Dr%20SK%20Lo%20Gallery%20exhibition%20Chinese%20seal%20art%20%E5%9C%96%E7%AB%A0%E7%B4%85%E5%8D%B0%20%E8%97%9D%E8%A1%93%20red%20chop%20print%20July%202022%20Px3%20058.jpg","credit":"篆刻展示（CC BY-SA 4.0）"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Selected%20Anecdotes%20about%20Su%20Shi%20and%20Mi%20Fu%20WDL4693.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Selected%20Anecdotes%20about%20Su%20Shi%20and%20Mi%20Fu%20WDL4693.jpg","credit":"書画に捺された収蔵印"}]},"essence":"篆書を石印に刻み、朱と白の反転（朱文・白文）で数センチ角に構成する東アジアの印章芸術。書画の落款として作品に参加し、「小さな正方形の中の設計」の極致になった。","cues":["朱文と白文の反転","篆書の線の設計","数センチ角の構成","石の刻みの質感"],"intents":["静けさ","高級","信頼"],"works":["一次資料と代表作から成立条件を比較する","別媒体へ応用できる構成原理を取り出す"],"recipe":{"type":"参照作品の文字・記号・スケールを観察する","layout":"視線と情報を支配する構造を一つ抽出する","material":"時代・地域・制作工程に固有の素材と挙動を確認する"},"avoid":"表面的な記号へ還元せず、時代・地域・技術・制作主体の文脈を確認する。","colors":["#e9e6dd","#67635d","#171615"],"motif":"ephemera","pair":["arabic-calligraphy","kamon"],"study":["朱文・白文の設計","西泠印社","日本の篆刻と落款文化"],"en":{"essence":"East Asia's seal art: seal script carved in stone, composed in a few square centimeters through the reversal of red and white (zhuwen and baiwen). Participating in paintings as signature, it perfected design inside the small square.","cues":["Red-white reversal","Seal-script line design","Composition in centimeters","The texture of carved stone"],"works":["Comparing primary sources and canonical works","Extracting principles that transfer to other media"],"recipe":{"type":"Observe the letters, signs and scale of reference works","layout":"Extract the one structure that governs gaze and information","material":"Verify the materials and behaviors specific to era, region and process"},"avoid":"Don't reduce it to surface signs. Verify the context of era, region, technology and makers.","study":["zhuwen and baiwen design","the Xiling Seal Art Society","Japanese tenkoku and signature culture"]}}