{"id":"saul-bass-title","no":194,"name":"Saul Bass Title Design","ja":"ソール・バスのタイトルデザイン","era":"1955 to 1990s","family":"放送デザイン","kind":"スタイル","collection":"Dictionary expansion 11","addedAt":"2026-08-18","source":{"title":"Art of the Title, Saul Bass","url":"https://www.artofthetitle.com/designer/saul-bass/"},"reference":{"status":"verified","pageUrl":"https://www.artofthetitle.com/designer/saul-bass/","credit":"Art of the Title, Saul Bass","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Spartacus%20(1960)%20movie%20logo.png?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Spartacus%20(1960)%20movie%20logo.png","credit":"ソール・バス『スパルタカス』タイトルロゴ 1960 — Wikimedia Commons / CC0"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/AnatomyMurder2.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:AnatomyMurder2.jpg","credit":"Saul Bass による『或る殺人』の図像 1959 — Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Exodus%20poster.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Exodus%20poster.jpg","credit":"Saul Bass による『栄光への脱出』のポスター 1960 — Wikimedia Commons / Public domain"}]},"essence":"切り紙の平面図形と手描きの大文字を、音楽に合わせて単純な直線の運動で動かし、本編の主題を冒頭で言い切る。","cues":["切り紙の平面シルエット","数色に絞った色面","手描きの不揃いな大文字","直線に沿う単純な移動"],"intents":["高揚","高級","遊び"],"works":["本編に入る前に、作品の主題と温度を数分で先に手渡したいとき","スタッフ表示という義務を、独立した作品として設計し直す仕事"],"recipe":{"type":"書体を一つに絞り、名前の出入りを音楽の拍に合わせて設計する","layout":"図形の動きに名前を預け、画面を分割して読み位置を固定する","material":"本編と別の美術で作り、色数を絞って主題の記号だけを反復する"},"avoid":"本編と無関係な飾りにせず、主題を要約する構造として設計する。名前を動かすこと自体が目的になると、読む時間が消えて主題が届かない。","colors":["#f3f3ee","#eca506","#1c1b16"],"motif":"motion","pair":["silent-intertitle","cartoon-modern"],"study":["ソール・バス『黄金の腕』","モーリス・バインダーの007","カイル・クーパー『セブン』"],"en":{"essence":"Moves flat cut paper shapes and hand drawn capitals along simple straight paths in time with the music, stating the theme before the film begins.","cues":["Flat cut paper silhouettes","A palette held to a few colors","Uneven hand drawn capitals","Simple moves along straight lines"],"works":["Handing over a work's theme and temperature before the story starts","Redesigning the obligation of credits as a piece in its own right"],"recipe":{"type":"One face only, entrances and exits designed to the musical beat","layout":"Hand the names to the moving shapes, fix one reading position","material":"Art built apart from the feature, few colors, one repeated motif"},"avoid":"Decoration unrelated to the feature is not the form, since only the structure that summarizes the theme survives, and when moving the names becomes the point there is no time to read them.","study":["Saul Bass, The Man with the Golden Arm","Maurice Binder's 007 openings","Kyle Cooper, Se7en"]}}