{"id":"sand-animation","no":624,"name":"Sand Animation","ja":"砂アニメーション","era":"1960s–","family":"アニメーション技法","kind":"技法","essence":"光を通す台の上の砂を、指や道具で寄せ、払って1コマずつ撮影する技法。砂の厚みが透過光の明暗になり、輪郭は粒の移動によって絶えず崩れながら次の像へ続く。","cues":["砂の厚みで変わる琥珀色から黒の透過階調","指で引いた溝と押し広げた粒の縁","前の像を払った跡から次の像が生まれる変形","輪郭の周囲へ散る不均一な粒子"],"intents":["静けさ","親密","懐かしさ"],"sourceTitle":"National Film Board of Canada — Handcrafted Cinema","sourceUrl":"https://www.nfb.ca/film/handcrafted_cinema/","pair":["paint-on-glass-animation","pinscreen-animation"],"study":["Caroline Leaf","backlit sand under the camera","The Owl Who Married a Goose"],"works":["寓話、夢、自然の循環を、形が生まれて消える一続きの画面で語るとき","音楽や朗読へ、人の手で速度を変えられる粒状の抽象映像を添えるとき"],"recipe":{"type":"文字は砂の太い溝か密度差で短く描き、本文は画面外の字幕へ分ける。","layout":"明るい台を広く残し、砂の濃い塊を焦点へ集める。次の像へ流用する部分を毎カット一つ決める。","material":"均一な粒の砂を透過光の台へ薄く撒き、厚みで暗部を作る。指、筆、カードで寄せ、払う動きを1コマずつ記録する。"},"avoid":"砂色のノイズを重ねた映像や完成したサンドアートの撮影とは異なる。厚み、透過光、粒の再配置が各フレームの像を作る。","colors":["#F0D7A1","#9D6A3A","#241D18"],"motif":"animation","collection":"Dictionary expansion 34","addedAt":"2026-08-23","source":{"title":"National Film Board of Canada — Handcrafted Cinema","url":"https://www.nfb.ca/film/handcrafted_cinema/"},"reference":{"status":"verified","pageUrl":"https://www.nfb.ca/film/handcrafted_cinema/","credit":"National Film Board of Canada — Handcrafted Cinema"},"en":{"essence":"Sand animation moves grains across a light table frame by frame. Thickness controls transmitted light from amber to black, and every contour continually breaks apart as its particles become the next image.","cues":["Transmitted tone ranging from amber to black by sand thickness","Finger-drawn grooves and pushed granular edges","The next image emerging from traces swept out of the last","Uneven particles scattering around contours"],"works":["Telling fable, dream or natural cycle through images that form and vanish in one field","Adding hand-paced granular abstraction to music or spoken narration"],"recipe":{"type":"Draw only short words as broad grooves or density changes, placing longer reading in separate subtitles.","layout":"Keep the light table broadly open and gather dark sand at the focus. Choose one part of each image to carry into the next.","material":"Spread even-grained sand thinly over transmitted light, build darkness by depth, and record each move made by finger, brush or card."},"avoid":"Sand-colored noise or footage of a finished sand picture is not the technique. Grain thickness, transmitted light and physical redistribution must form every frame.","study":["Caroline Leaf","Backlit sand under the camera","The Owl Who Married a Goose"]},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}