{"id":"russian-icon","no":304,"name":"Russian Icon","ja":"ロシア・イコン","era":"10th–17th century / continuing","family":"聖像画","kind":"スタイル","collection":"Dictionary expansion 15","addedAt":"2026-08-18","source":{"title":"The State Tretyakov Gallery","url":"https://www.tretyakovgallery.ru/en/"},"reference":{"status":"verified","pageUrl":"https://www.tretyakovgallery.ru/en/","credit":"The State Tretyakov Gallery","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Andrey%20Rublev%20-%20%D0%A1%D0%B2.%20%D0%A2%D1%80%D0%BE%D0%B8%D1%86%D0%B0%20-%20Google%20Art%20Project.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Andrey%20Rublev%20-%20%D0%A1%D0%B2.%20%D0%A2%D1%80%D0%BE%D0%B8%D1%86%D0%B0%20-%20Google%20Art%20Project.jpg","credit":"ルブリョフ『至聖三者』1425頃"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Hall%20N59%20(icons)%20Tretyakov%20gallery%20-%20Rublev%2002%20by%20shakko.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Hall%20N59%20(icons)%20Tretyakov%20gallery%20-%20Rublev%2002%20by%20shakko.jpg","credit":"トレチャコフ美術館のイコンの間（CC BY-SA 4.0）"}]},"essence":"ビザンティンから受け継いだ聖像画の伝統。逆遠近法、金地、様式化された身体が「見る絵」ではなく「祈りの窓」として機能し、ルブリョフの『至聖三者』が精神性の到達点を示した。","cues":["金地の無時間性","逆遠近法","様式化された身体","祈りの対象としての画面"],"intents":["静けさ","信頼","高級"],"works":["一次資料と代表作から成立条件を比較する","別媒体へ応用できる構成原理を取り出す"],"recipe":{"type":"参照作品の文字・記号・スケールを観察する","layout":"視線と情報を支配する構造を一つ抽出する","material":"時代・地域・制作工程に固有の素材と挙動を確認する"},"avoid":"表面的な記号へ還元せず、時代・地域・技術・制作主体の文脈を確認する。","colors":["#e9e6dd","#67635d","#171615"],"motif":"world","pair":["ethiopian-icon","thangka"],"study":["アンドレイ・ルブリョフ","逆遠近法の思想","アヴァンギャルドによる再発見"],"en":{"essence":"The icon tradition inherited from Byzantium: reverse perspective, gold grounds and stylized bodies serving not as pictures to view but as windows for prayer — Rublev's Trinity its spiritual summit.","cues":["The timelessness of gold ground","Reverse perspective","Stylized bodies","The image as object of prayer"],"works":["Comparing primary sources and canonical works","Extracting principles that transfer to other media"],"recipe":{"type":"Observe the letters, signs and scale of reference works","layout":"Extract the one structure that governs gaze and information","material":"Verify the materials and behaviors specific to era, region and process"},"avoid":"Don't reduce it to surface signs. Verify the context of era, region, technology and makers.","study":["Andrei Rublev","the thought behind reverse perspective","the avant-garde's rediscovery"]}}