{"id":"russian-icon","no":274,"name":"Russian Icon","ja":"ロシア・イコン","era":"10th–17th century / continuing","family":"聖像画","kind":"スタイル","collection":"Dictionary expansion 15","addedAt":"2026-08-18","source":{"title":"The State Tretyakov Gallery","url":"https://www.tretyakovgallery.ru/en/"},"reference":{"status":"verified","pageUrl":"https://www.tretyakovgallery.ru/en/","credit":"The State Tretyakov Gallery","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Andrey%20Rublev%20-%20%D0%A1%D0%B2.%20%D0%A2%D1%80%D0%BE%D0%B8%D1%86%D0%B0%20-%20Google%20Art%20Project.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Andrey%20Rublev%20-%20%D0%A1%D0%B2.%20%D0%A2%D1%80%D0%BE%D0%B8%D1%86%D0%B0%20-%20Google%20Art%20Project.jpg","credit":"ルブリョフ『至聖三者』1425頃 — Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Saint%20George%20icon.%20Novgorod%20icon-painting%20school%2C%2015th%20cent..%2C%20Veliky%20Novgorod%2C%20Russia.%20Tretyakov%20Gallery.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Saint%20George%20icon.%20Novgorod%20icon-painting%20school%2C%2015th%20cent..%2C%20Veliky%20Novgorod%2C%20Russia.%20Tretyakov%20Gallery.jpg","credit":"《聖ゲオルギオス》ノヴゴロド派 15世紀 — Wikimedia Commons / Public domain"}]},"essence":"ビザンティンから受け継いだ聖像画の伝統。逆遠近法、金地、様式化された身体が「見る絵」ではなく「祈りの窓」として機能し、ルブリョフの『至聖三者』が精神性の到達点を示した。","cues":["金地の無時間性","逆遠近法","様式化された身体","祈りの対象としての画面"],"intents":["静けさ","信頼","高級"],"works":["祈りの対象になる画面を、鑑賞用の絵と区別して作るとき","無時間の場を求める空間に、金地の面を持ち込むとき"],"recipe":{"type":"銘は聖名の略記だけにとどめ、金地の上に細く朱で書く","layout":"遠近を手前で狭め奥で広げ、視線が画面から出てくるように組む","material":"板に膠下地を重ね、卵テンペラと金箔で層を作る"},"avoid":"写実的な遠近と陰影を足すと、祈りの窓ではなく風景を見る絵になり、逆遠近の働きが消える","colors":["#e4c592","#dc6758","#3a4661"],"motif":"world","pair":["ethiopian-icon","thangka"],"study":["アンドレイ・ルブリョフ","逆遠近法の思想","アヴァンギャルドによる再発見"],"en":{"essence":"The icon tradition inherited from Byzantium uses reverse perspective, gold grounds and stylized bodies so that the panel becomes a window for prayer rather than a picture to look at. Rublev's Trinity marks its spiritual summit.","cues":["The timelessness of gold ground","Reverse perspective","Stylized bodies","The image as object of prayer"],"works":["Making an image to be prayed before, not a picture to be viewed","Bringing a gold ground into a space that needs to feel timeless"],"recipe":{"type":"Only abbreviated holy names, written thin in red over the gold","layout":"Narrow the perspective toward the viewer and widen it behind, so sight comes outward","material":"Gesso built on panel, egg tempera and gold leaf in layers"},"avoid":"Adding naturalistic perspective and shading turns the window for prayer into a scene to look at, and reverse perspective stops working.","study":["Andrei Rublev","the thought behind reverse perspective","the avant-garde's rediscovery"]},"links":{"page":"https://indexstyle.org/styles/russian-icon","json":"https://indexstyle.org/api/styles/russian-icon","designSpec":"https://indexstyle.org/styles/russian-icon/design.md","imagePrompt":"https://indexstyle.org/styles/russian-icon/prompt.txt"},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}