{"id":"romanticism","no":615,"name":"Romanticism","ja":"ロマン主義","era":"c. 1790–1850","family":"具象絵画","kind":"スタイル","essence":"理性と規範だけでは捉えきれない感情、崇高、自然の圧倒、革命、異常な出来事を、劇的な光、斜めの動勢、荒れる筆触、極端な尺度差によって観者の身体へ迫らせた18世紀末から19世紀前半の様式。","cues":["嵐、海、山、炎など人を圧倒する自然と崇高","明暗差の大きい光と斜めに流れる構図","危機や激情を示す身振りと荒い筆触","小さな人物と巨大な風景、または群衆の劇的な密集"],"intents":["高揚","反骨","高級"],"sourceTitle":"The Metropolitan Museum of Art — France, 1800–1900 A.D.","sourceUrl":"https://82nd-and-fifth.metmuseum.org/toah/ht/10/euwf.html","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Caspar%20David%20Friedrich%20-%20Wanderer%20above%20the%20sea%20of%20fog.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Caspar%20David%20Friedrich%20-%20Wanderer%20above%20the%20sea%20of%20fog.jpg","credit":"カスパー・ダーヴィト・フリードリヒ『雲海の上の旅人』— Wikimedia Commons / Public domain"}],"pair":["neoclassicism","realism"],"study":["European Romanticism","the sublime, revolution and emotional landscape","Delacroix, Turner and Friedrich"],"works":["自然、政治、個人の感情を、説明より先に身体的な強度で伝えるとき","整った古典構図を崩し、光、天候、身振りを物語の駆動力にするとき"],"recipe":{"type":"見出しは強い明暗と傾斜へ耐えるセリフを使い、本文は画面の静かな縁へ退ける。","layout":"斜めの主軸と大きな明暗塊を先に作り、人物を風景や群衆の力へ巻き込む。","material":"深い暗色へ炎、夕日、稲妻の暖色を衝突させ、輪郭の一部を筆触と大気へ溶かす。"},"avoid":"夕焼け、廃墟、劇的な人物を並べるだけでは足りない。崇高、革命、個人感情のいずれが規範へ対抗しているかを決める。","colors":["#1F2A36","#B94A32","#D2A95E"],"motif":"landscape","collection":"Dictionary expansion 33","addedAt":"2026-08-22","source":{"title":"The Metropolitan Museum of Art — France, 1800–1900 A.D.","url":"https://82nd-and-fifth.metmuseum.org/toah/ht/10/euwf.html"},"reference":{"status":"verified","pageUrl":"https://82nd-and-fifth.metmuseum.org/toah/ht/10/euwf.html","credit":"The Metropolitan Museum of Art — France, 1800–1900 A.D.","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Caspar%20David%20Friedrich%20-%20Wanderer%20above%20the%20sea%20of%20fog.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Caspar%20David%20Friedrich%20-%20Wanderer%20above%20the%20sea%20of%20fog.jpg","credit":"カスパー・ダーヴィト・フリードリヒ『雲海の上の旅人』— Wikimedia Commons / Public domain"}]},"en":{"essence":"Romanticism pushed beyond reason and rule toward emotion, the sublime, overwhelming nature, revolution and exceptional events through dramatic light, diagonal force, turbulent brushwork and extreme scale.","cues":["Storm, sea, mountain or fire making nature sublime","High-contrast light and diagonally driven composition","Gesture and loose brushwork carrying crisis or passion","Tiny figures against vast landscape or a dramatically compressed crowd"],"works":["Making nature, politics or private emotion bodily felt before it is explained","Breaking classical order by turning weather, light and gesture into narrative forces"],"recipe":{"type":"Choose a serif strong enough for high contrast and slope, moving body text to a quiet edge.","layout":"Establish a diagonal axis and large light-dark masses first, then pull figures into the force of landscape or crowd.","material":"Collide deep shadow with the warm light of flame, sunset or lightning and dissolve some contours into weather and brushwork."},"avoid":"Sunsets, ruins and dramatic figures alone are not enough. Decide whether the sublime, revolution or personal emotion is resisting the norm.","study":["European Romanticism","The sublime, revolution and emotional landscape","Delacroix, Turner and Friedrich"]},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}