{"id":"return-to-order","no":684,"name":"Return to Order","ja":"秩序への回帰","sourceSlug":"return-to-order-rappel-a-lordre","era":"1918–1930s","family":"具象絵画","kind":"スタイル","essence":"第一次世界大戦後、前衛の断片化と速度から距離を取り、古典的な輪郭、安定した人体、静物、明瞭な空間へ戻った国際的な動向。過去をそのまま復元せず、Cubismなどで得た単純化を残したまま、重さと読みやすい秩序を回復する。","cues":["輪郭の明確な人物と静物を大きく安定して置く","三角形、水平線、正面性で古典的な均衡を作る","土色、青、石灰色を抑えた面へまとめる","前衛的な単純化を残しながら、断片を一つの身体や物へ戻す"],"intents":["信頼","静けさ","懐かしさ"],"pair":["neoclassicism","magic-realism"],"study":["Jean Cocteau and rappel à l'ordre","Picasso, Léger, Ozenfant and interwar classicism","postwar order and its competing political uses"],"works":["危機後の再建や制度の安定を、装飾的な歴史復元でなく明瞭な人体と構成で示すとき","Cubism以後の単純化と古典的な重さを比較する展覧会や出版"],"recipe":{"type":"節度ある古典セリフを中央または左揃えで置き、碑文風の字間を広げすぎない。","layout":"人物、器、建築を三角形と水平線へ固定し、余白を広く取り、奥行きを浅く明瞭にする。","material":"石灰、土、鈍い青の面を滑らかに重ね、輪郭を保ちながら筆跡を静める。"},"avoid":"“秩序”を中立な美徳として扱わず、戦後社会、国家、保守化との関係を確認する。古代風の身体や柱を足すだけでは、前衛後の再構成という歴史的境界が消える。","colors":["#D9CBB2","#586E7D","#7B5541"],"motif":"classic","collection":"Dictionary expansion 38","addedAt":"2026-08-23","source":{"title":"MoMA — Return to Order","url":"https://www.moma.org/collection/terms/return-to-order-rappel-a-lordre"},"reference":{"status":"verified","pageUrl":"https://www.moma.org/collection/terms/return-to-order-rappel-a-lordre","credit":"MoMA — Return to Order"},"en":{"essence":"An international post-World War I tendency that stepped back from avant-garde fragmentation and speed toward classical contour, stable figures, still life, and legible space. It retained modern simplification while recovering weight and order rather than reconstructing the past literally.","cues":["Large stable figures and still lifes with clear contour","Triangles, horizontals, and frontal balance","Restrained earth, blue, and lime-gray fields","Avant-garde simplification retained while fragments return to bodies and objects"],"works":["Expressing post-crisis reconstruction through lucid figures and composition rather than historical décor","Comparing classical weight with simplification after Cubism"],"recipe":{"type":"Use a restrained classical serif, avoiding exaggerated monumental spacing.","layout":"Fix figures, vessels, and architecture to triangles and horizontals with broad margins and shallow legible depth.","material":"Layer lime, earth, and muted blue smoothly, quieting the brush while retaining contour."},"avoid":"Do not treat order as a neutral virtue; examine its links to postwar society, states, and conservatism. Antique bodies and columns alone miss the post-avant-garde reconstruction.","study":["Jean Cocteau and rappel à l'ordre","Picasso, Léger, Ozenfant and interwar classicism","postwar order and its competing political uses"]},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}