{"id":"renaissance","no":493,"name":"Renaissance","ja":"ルネサンス","era":"14th–16th century","family":"歴史様式","kind":"スタイル","collection":"Dictionary expansion 25","addedAt":"2026-08-19","source":{"title":"Tate — Art Terms: Renaissance","url":"https://www.tate.org.uk/art/art-terms/r/renaissance"},"reference":{"status":"verified","pageUrl":"https://www.tate.org.uk/art/art-terms/r/renaissance","credit":"Tate — Art Terms: Renaissance","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Masaccio%20trinity.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Masaccio%20trinity.jpg","credit":"マザッチオ《聖三位一体》1425〜1428年 — Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/%22The%20School%20of%20Athens%22%20by%20Raffaello%20Sanzio%20da%20Urbino.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:%22The%20School%20of%20Athens%22%20by%20Raffaello%20Sanzio%20da%20Urbino.jpg","credit":"ラファエロ・サンツィオ《アテナイの学堂》1511年 — Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Tempietto%20di%20San%20Pietro%20in%20Montorio.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Tempietto%20di%20San%20Pietro%20in%20Montorio.jpg","credit":"ドナト・ブラマンテ《テンピエット》1502年頃（撮影 Labicanense）— Wikimedia Commons / CC BY 4.0"}]},"essence":"古代の比例と人体を再発見し、線遠近法で三次元を平面に定着させた運動。数学が絵画と建築の共通言語になり、対称・柱式・黄金比といった以後五百年の規範がここで確立した。","cues":["一点透視の線遠近法","古典柱式と対称","人体の比例に基づく構成","明快な三角構図"],"intents":["信頼","高級","静けさ"],"works":["権威と均衡を、比例そのもので示す","奥行きを幾何学で構築する画面をつくる"],"recipe":{"type":"ローマン体の大文字を、碑文の比率で組む","layout":"中心軸と三角形で人物と要素を安定させる","material":"テンペラから油彩へ、透明な層を重ねる"},"avoid":"柱と対称を貼るだけでは書き割りになる。比例の根拠を一つ決めて全体へ通す。","colors":["#e9e6dd","#67635d","#171615"],"motif":"graphic","pair":["baroque","neoclassicism"],"study":["ブルネレスキの透視図法の実験","アルベルティ『絵画論』","古代建築の測量と柱式の体系化"],"en":{"essence":"A movement that rediscovered ancient proportion and the human body and fixed three dimensions on a flat surface through linear perspective. Mathematics became the common language of painting and architecture, and the norms of the next five hundred years, symmetry, the classical orders and the golden ratio, were established here.","cues":["One point linear perspective","The classical orders and symmetry","Composition based on the proportions of the body","A clear triangular composition"],"works":["Showing authority and balance through proportion itself","Building an image whose depth is constructed geometrically"],"recipe":{"type":"Set Roman capitals in the proportions of inscriptions.","layout":"Steady figures and elements on a central axis and a triangle.","material":"Move from tempera to oil and build up transparent layers."},"avoid":"Pasting on columns and symmetry gives you stage scenery. Decide one basis for the proportions and carry it through the whole.","study":["Brunelleschi's experiments with perspective","Alberti's On Painting","The surveying of ancient buildings and the systematizing of the orders"]}}