{"id":"purism","no":422,"name":"Purism","ja":"ピュリスム","era":"1918–1925","family":"近代デザイン運動","kind":"スタイル","collection":"Dictionary expansion 23","addedAt":"2026-08-18","source":{"title":"Tate — Art Terms: Purism","url":"https://www.tate.org.uk/art/art-terms/p/purism"},"reference":{"status":"verified","pageUrl":"https://www.tate.org.uk/art/art-terms/p/purism","credit":"Tate — Art Terms: Purism","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/L'EspritNouveau-issue1.png?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:L'EspritNouveau-issue1.png","credit":"『L'Esprit Nouveau』第1号 — Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Am%C3%A9d%C3%A9e%20Ozenfant%20%E2%80%94%20Graphics%20on%20a%20Black%20Background%20(1928).jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Am%C3%A9d%C3%A9e%20Ozenfant%20%E2%80%94%20Graphics%20on%20a%20Black%20Background%20(1928).jpg","credit":"Amédée Ozenfant《黒地の上のグラフィック》1928 — Wikimedia Commons / Public domain"}]},"essence":"キュビスムの装飾化を批判し、機械時代にふさわしい明晰な形へ戻せと説いた運動。瓶・グラス・ギターといった規格化された「オブジェ・タイプ」を、水平垂直の秩序と抑えた色で描く。雑誌『レスプリ・ヌーヴォー』を通じて近代建築とグラフィックの規範になった。","cues":["規格化された日用品のシルエット","水平垂直を基調とした構成","抑制された色数","重なりの輪郭線"],"intents":["信頼","未来"],"works":["工業製品の型録や技術誌を、規格化された型として静かに見せるとき","建築や設備の紹介面を、水平垂直の格子と抑えた色数で寸法感ごと読ませるとき"],"recipe":{"type":"細めの幾何学的サンセリフを水平線に揃え、大きさの段階を二つに絞る","layout":"水平と垂直の骨格を先に決め、輪郭を重ねて浅い奥行きを示す","material":"灰と土色に青を少量足し、面は均一な艶消しに塗る"},"avoid":"逸話や装飾を戻すと、対象が規格の型ではなく絵になる静物に落ち、機械時代の明晰さが失われる。","colors":["#e4d0b1","#87523f","#11100c"],"motif":"graphic","pair":["cubism","international-style"],"study":["『レスプリ・ヌーヴォー』誌の版面","オブジェ・タイプの概念","ル・コルビュジエの建築との連続"],"en":{"essence":"A movement that attacked Cubism's drift into decoration and called for a return to forms fit for the machine age. Standardized objets-types such as bottles, glasses and guitars are painted within a horizontal-vertical order and a restrained palette. Through the journal L'Esprit Nouveau it became a norm for modern architecture and graphics.","cues":["Silhouettes of standardised everyday objects","Compositions built on horizontals and verticals","A restrained number of colours","Contour lines of overlapping forms"],"works":["Catalogues and technical magazines that present industrial products quietly as standardized types","Pages introducing buildings and equipment, read for dimension on a horizontal-vertical grid with a restrained palette"],"recipe":{"type":"A light geometric sans aligned to the horizontals, held to two sizes","layout":"Set the horizontal and vertical armature first, then overlap silhouettes for shallow depth","material":"Greys and ochres with a little blue, surfaces painted evenly and matte"},"avoid":"Bringing anecdote or ornament back turns the objects from standardized types into picturesque still lifes, and the clarity of the machine age is lost.","study":["The page layouts of L'Esprit Nouveau","The concept of the objet-type","The continuity with Le Corbusier's architecture"]},"links":{"page":"https://indexstyle.org/styles/purism","json":"https://indexstyle.org/api/styles/purism","designSpec":"https://indexstyle.org/styles/purism/design.md","imagePrompt":"https://indexstyle.org/styles/purism/prompt.txt"},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}