{"id":"provoke","no":379,"name":"Provoke","ja":"プロヴォーク","era":"1968–1970","family":"写真運動","kind":"スタイル","collection":"Dictionary expansion 19","addedAt":"2026-08-18","source":{"title":"東京都写真美術館","url":"https://topmuseum.jp/"},"reference":{"status":"verified","pageUrl":"https://topmuseum.jp/","credit":"東京都写真美術館"},"essence":"同人誌『プロヴォーク』が掲げた「思想のための挑発的資料」。アレ・ブレ・ボケ——粗粒子・ブレ・ピンぼけを方法として、写真から意味の整った像を剥ぎ取り、見ることの生々しさを取り戻した。","cues":["粗粒子（アレ）","ブレとボケの肯定","高コントラストの黒","断片的なフレーミング"],"intents":["反骨","高揚","静けさ"],"works":["一次資料と代表作から成立条件を比較する","別媒体へ応用できる構成原理を取り出す"],"recipe":{"type":"参照作品の文字・記号・スケールを観察する","layout":"視線と情報を支配する構造を一つ抽出する","material":"時代・地域・制作工程に固有の素材と挙動を確認する"},"avoid":"表面的な記号へ還元せず、時代・地域・技術・制作主体の文脈を確認する。","colors":["#e9e6dd","#67635d","#171615"],"motif":"photo","pair":["japanese-realism-photography","angura-poster"],"study":["中平卓馬","森山大道『写真よさようなら』","多木浩二の理論"],"en":{"essence":"The manifesto of the magazine Provoke: provocative materials for thought. Are-bure-boke — grain, blur and out-of-focus as method — stripped photography of tidy meaning to recover the rawness of seeing.","cues":["Rough grain (are)","Blur and defocus affirmed","High-contrast black","Fragmentary framing"],"works":["Comparing primary sources and canonical works","Extracting principles that transfer to other media"],"recipe":{"type":"Observe the letters, signs and scale of reference works","layout":"Extract the one structure that governs gaze and information","material":"Verify the materials and behaviors specific to era, region and process"},"avoid":"Don't reduce it to surface signs. Verify the context of era, region, technology and makers.","study":["Takuma Nakahira","Daido Moriyama's Farewell Photography","Koji Taki's theory"]}}