{"id":"progressive-artists-group","no":702,"name":"Progressive Artists' Group","ja":"プログレッシヴ・アーティスツ・グループ","era":"1947–1956","family":"近現代美術運動","kind":"スタイル","essence":"独立直後のボンベイで、植民地期のアカデミズムと民族主義的復古の双方から離れ、キュビスム、表現主義、インドの都市・宗教図像を個別に組み替えた画家集団。共通様式というより、近代性を地域から再構成する強い色面と歪んだ具象に輪郭がある。","cues":["分割・簡略化された人物と都市・村落の輪郭","赤、橙、青、黒の高い色対比","民俗・宗教図像と欧州近代絵画の並置","厚い輪郭、平坦な面、粗い絵肌が共存する"],"intents":["反骨","高揚","親密"],"pair":["post-impressionism","expressionism"],"study":["F. N. Souza, M. F. Husain and S. H. Raza","Bombay after independence","modernism, secularism and plural Indian identities"],"works":["複数の近代絵画言語が地域の主題と衝突する過程を見せる展示","独立後の都市や宗教的複数性を、一つの民族様式へ均さず表すとき"],"recipe":{"type":"作品と作家名を明示し、汎インド的な装飾書体でまとめない。","layout":"人物または都市を平たい色面へ分割し、強い輪郭で面同士の緊張を残す。","material":"不透明な赤、黄土、青、黒を粗いキャンバスへ重ね、下描きと擦れを消さない。"},"avoid":"集団全体を一枚の見た目へ固定しない。各作家の差、ボンベイの場所、独立後の政治的背景を併記する。","colors":["#B53D2F","#D08B39","#315B73"],"motif":"figure","collection":"Dictionary expansion 40","addedAt":"2026-08-23","source":{"title":"Asia Society — The Progressive Genealogy","url":"https://asiasociety.org/sites/default/files/inline-files/181018_ProgressiveGenealogy_SymposiumAgenda.pdf"},"reference":{"status":"verified","pageUrl":"https://asiasociety.org/sites/default/files/inline-files/181018_ProgressiveGenealogy_SymposiumAgenda.pdf","credit":"Asia Society — The Progressive Genealogy"},"en":{"essence":"A post-independence Bombay group that rejected both colonial academism and nationalist revival, individually recombining Cubism, Expressionism, Indian cities, and religious imagery through strong color fields and distorted figuration.","cues":["Divided and simplified figures, villages, and cities","High contrast among red, orange, blue, and black","Folk or sacred imagery beside European modernist devices","Heavy contour, flat field, and rough surface together"],"works":["Showing how several modernisms collide with regional subjects rather than forming one smooth style","Representing post-independence urban and religious plurality without reducing it to a national motif"],"recipe":{"type":"Name the work and artist instead of unifying the group with pan-Indian display type.","layout":"Divide the figure or city into flat fields and retain tension through strong contours.","material":"Layer opaque red, ochre, blue, and black on rough canvas, preserving drawing and abrasion."},"avoid":"Do not freeze the group into one look. State differences among artists, Bombay's place, and the politics after independence.","study":["F. N. Souza, M. F. Husain and S. H. Raza","Bombay after independence","modernism, secularism and plural Indian identities"]},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}