{"id":"precisionism","no":108,"name":"Precisionism","ja":"プレシジョニズム","era":"1910s–1940s","family":"アメリカ近代美術","kind":"スタイル","collection":"Dictionary expansion 05","addedAt":"2026-08-17","source":{"title":"The Met — Precisionism","url":"https://www.metmuseum.org/pt/essays/precisionism"},"reference":{"status":"verified","pageUrl":"https://www.metmuseum.org/pt/essays/precisionism","credit":"The Met — Precisionism","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Charles%20Demuth%20-%20My%20Egypt.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Charles%20Demuth%20-%20My%20Egypt.jpg","credit":"デムース『私のエジプト』1927"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Criss-Crossed%20Conveyors%2C%20River%20Rouge%20Plant%2C%20Ford%20Motor%20Company.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Criss-Crossed%20Conveyors%2C%20River%20Rouge%20Plant%2C%20Ford%20Motor%20Company.jpg","credit":"シーラー『交差するコンベア』1927"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Charles%20Demuth%20-%20The%20Figure%205%20in%20Gold%20(1928).jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Charles%20Demuth%20-%20The%20Figure%205%20in%20Gold%20(1928).jpg","credit":"デムース『金色の5』1928"}]},"essence":"工場、サイロ、都市、機械を、明確な輪郭・単純な幾何学・滑らかな面へ還元して描く。","cues":["明瞭な輪郭","工業景観","幾何学的単純化","滑らかな面"],"intents":["技術","静けさ","信頼"],"works":["歴史的な作例と成立条件を比較する","現代の媒体へ移す際に残す原理を見極める"],"recipe":{"type":"参照作品の文字と画面構成を観察する","layout":"視線を導く主要原理を一つ抽出する","material":"技法固有の素材・工程・支持体を確認する"},"avoid":"見た目の記号だけでなく、成立した媒体・技法・社会的文脈まで確認する。","colors":["#d8d8d1","#8795a0","#34383b"],"motif":"geometry","pair":["streamline-moderne","modernism"],"study":["Charles Sheeler","Charles Demuth","Georgia O’Keeffe"],"en":{"essence":"Paints factories, silos, cities and machines reduced to clear contour, simple geometry and smooth planes.","cues":["Sharp contours","Industrial landscapes","Geometric simplification","Smooth surfaces"],"works":["Comparing historical works and their conditions","Deciding which principles survive translation to today's media"],"recipe":{"type":"Observe the type and composition of reference works","layout":"Extract the one principle that steers the eye","material":"Verify the technique's own materials, process and support"},"avoid":"Check not only the look but the medium, technique and social context in which it formed.","study":["Charles Sheeler","Charles Demuth","Georgia O'Keeffe"]}}