{"id":"poetism","no":478,"name":"Poetism","ja":"ポエティスム","era":"1923–1934","family":"チェコ前衛","kind":"スタイル","collection":"Dictionary expansion 23","addedAt":"2026-08-18","source":{"title":"Monoskop — Poetism","url":"https://monoskop.org/Poetism"},"reference":{"status":"verified","pageUrl":"https://monoskop.org/Poetism","credit":"Monoskop — Poetism","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Teige%2C%20Odjezd%20na%20Kytheru%20(Departure%20for%20Cythera)%20(1923%E2%80%9324).%20Prague%20City%20Gallery.png?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Teige%2C%20Odjezd%20na%20Kytheru%20(Departure%20for%20Cythera)%20(1923%E2%80%9324).%20Prague%20City%20Gallery.png","credit":"Karel Teige《キテラ島への船出》1923–24, プラハ市立美術館 — Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Karel%20Teige%20%E2%80%93%20Hrad%C4%8Dansk%C3%BD%20motiv%2C%201920.png?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Karel%20Teige%20%E2%80%93%20Hrad%C4%8Dansk%C3%BD%20motiv%2C%201920.png","credit":"Karel Teige《フラッチャニのモチーフ》1920 — Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Jaroslav%20Seifert%20(portrait%20by%20Karel%20Teige%2C%201921).jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Jaroslav%20Seifert%20(portrait%20by%20Karel%20Teige%2C%201921).jpg","credit":"Karel Teige によるヤロスラフ・サイフェルトの肖像 1921 — Wikimedia Commons / Public domain"}]},"essence":"チェコの前衛集団デヴィエトシルが掲げた、詩を紙面と生活そのものへ拡張する綱領。写真モンタージュと活字を組み合わせた「絵画詩」、円と斜線の構成、鮮やかな二色刷りが、詩集・雑誌・ポスターを一続きの実験場にした。","cues":["写真モンタージュと活字の併置","円・斜線による構成","限定された鮮やかな二色","詩としてのタイポグラフィ"],"intents":["親密","技術"],"works":["一次資料と代表作から成立条件を比較する","別媒体へ応用できる構成原理を取り出す"],"recipe":{"type":"参照作品の文字・記号・スケールを観察する","layout":"視線と情報を支配する構造を一つ抽出する","material":"時代・地域・制作工程に固有の素材と挙動を確認する"},"avoid":"表面的な記号へ還元せず、時代・地域・技術・制作主体の文脈を確認する。","colors":["#e9e6dd","#67635d","#171615"],"motif":"graphic","pair":["new-typography","constructivism"],"study":["カレル・タイゲの理論と装丁","雑誌『ReD』の版面","絵画詩というかたち"],"en":{"essence":"The programme of the Czech avant-garde group Devětsil, extending poetry onto the page and into life itself. Its 'picture poems' combining photomontage with type, its compositions of circles and diagonals, and its vivid two-colour printing turned poetry books, magazines and posters into one continuous field of experiment.","cues":["Photomontage juxtaposed with type","Compositions of circles and diagonals","Two vivid, restricted colours","Typography as poetry"],"works":["Poetry collections and cultural programmes set as typographic picture poems","Two-colour risograph posters where circles, rules and photographs rhyme"],"recipe":{"type":"Constructivist grotesques mixed across playful sizes; letters allowed to behave as images","layout":"Circles, diagonals and rules choreographing photomontage fragments across the page","material":"Two vivid inks—typically red with black or blue—on warm book paper"},"avoid":"Avoid pure constructivist severity—without lyric play between word and image, the page is engineering, not a poem.","study":["Karel Teige's theory and book designs","The page layouts of the magazine ReD","The picture poem as a form"]}}