{"id":"pixilation","no":625,"name":"Pixilation","ja":"ピクシレーション","era":"1910s–","family":"アニメーション技法","kind":"技法","essence":"生身の人物を人形のように一姿勢ずつ止めて撮るストップモーション。歩行を床上の滑走へ変え、物理的に不可能な移動や突然の置換を、実写の身体と場所を保ったまま成立させる。","cues":["足を運ばず床上を滑る人物","姿勢が段階的に跳ぶ硬い身体運動","人物や物が一コマで出現、消失、置換する","実在する街や室内で重力と時間だけが不連続になる"],"intents":["遊び","反骨","技術"],"sourceTitle":"National Film Board of Canada — Neighbours","sourceUrl":"https://collection.nfb.ca/film/neighbours_voisins","pair":["stop-motion","rotoscope"],"study":["Norman McLaren and Neighbours","live actors as stop-motion subjects","pose intervals, holds and substitution"],"works":["俳優と実在空間だけで、飛行、滑走、瞬間移動を見せる短編や広告","身体のぎこちなさを笑い、不安、対立のリズムへ変える音楽映像や舞台記録"],"recipe":{"type":"文字を動かす場合も人が一コマずつ持ち替え、画面上の移動間隔を身体のポーズ間隔へ合わせる。","layout":"カメラを固定し、人物が通る軌道を床へ割り付ける。静止時間と移動幅を先に決め、背景の連続性を保つ。","material":"俳優をフレームごとに静止させ、接地位置、姿勢、衣服の揺れを記録する。置換する物は同じ光と位置で交換する。"},"avoid":"低いフレームレートの実写やコマ落とし効果ではない。人物が各フレームのために別の姿勢を取り、現実の位置関係を物理的に組み直す。","colors":["#D9D3C5","#C44A35","#28364A"],"motif":"animation","collection":"Dictionary expansion 34","addedAt":"2026-08-23","source":{"title":"National Film Board of Canada — Neighbours","url":"https://collection.nfb.ca/film/neighbours_voisins"},"reference":{"status":"verified","pageUrl":"https://collection.nfb.ca/film/neighbours_voisins","credit":"National Film Board of Canada — Neighbours"},"en":{"essence":"Pixilation treats live actors as stop-motion figures, photographing one held pose at a time. It turns walking into gliding and makes impossible movement or substitution while keeping real bodies and real places on screen.","cues":["People gliding without stepping","Rigid body movement jumping between staged poses","People or objects appearing, disappearing or exchanging in one frame","Real streets and rooms where only gravity and time become discontinuous"],"works":["Creating flight, gliding or teleportation in a short or advertisement using performers and a real location","Turning bodily stiffness into comedy, unease or conflict rhythm in music and performance films"],"recipe":{"type":"If type moves, let performers reposition it one frame at a time and match its travel interval to the interval between poses.","layout":"Lock the camera and mark each travel path on the floor. Set hold length and displacement before shooting and preserve background continuity.","material":"Hold the actor for every exposure and record contact point, pose and clothing movement. Swap objects at identical position and light."},"avoid":"Low-frame-rate live action and frame dropping are not pixilation. The performer must take a discrete pose for each frame and physically reconstruct spatial relations.","study":["Norman McLaren and Neighbours","Live actors as stop-motion subjects","Pose intervals, holds and substitution"]},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}