{"id":"phototypesetting","no":176,"name":"Phototypesetting","ja":"写真植字","era":"1924–1990s","family":"組版技術","kind":"技法","collection":"Dictionary expansion 08","addedAt":"2026-08-18","source":{"title":"モリサワ 沿革 — 邦文写真植字機の発明","url":"https://www.morisawa.co.jp/about/history/"},"reference":{"status":"verified","pageUrl":"https://www.morisawa.co.jp/about/history/","credit":"モリサワ 沿革 — 邦文写真植字機の発明","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/All-round%20Phototypesetter%20MC-6.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:All-round%20Phototypesetter%20MC-6.jpg","credit":"写真植字機 MC-6（CC BY 4.0）"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Linotype%20CRTronic%20360.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Linotype%20CRTronic%20360.jpg","credit":"ライノタイプ CRTronic 360（CC BY 2.0）"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Logro%C3%B1o%20-%20Casa%20de%20las%20Ciencias%20-%20Exposici%C3%B3n%20'100%20a%C3%B1os%20de%20periodismo%20en%20La%20Rioja'%20-%20fotocomponedora%20Compugraphic%20modelo%20Universal%20IV.JPG?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Logro%C3%B1o%20-%20Casa%20de%20las%20Ciencias%20-%20Exposici%C3%B3n%20'100%20a%C3%B1os%20de%20periodismo%20en%20La%20Rioja'%20-%20fotocomponedora%20Compugraphic%20modelo%20Universal%20IV.JPG","credit":"コンピュグラフィック写植機（CC BY-SA 3.0）"}]},"essence":"文字盤とレンズで文字を光学的に印字する組版技術で、詰め組み・変形・滑らかな輪郭という金属活字にない自由を持ち込んだ。","cues":["レンズによる拡大縮小","詰め組み","長体・平体・斜体","滑らかな輪郭"],"intents":["技術","懐かしさ"],"works":["昭和後期の広告・雑誌の文字表現を読み解く","デジタル以前の組版の自由と制約を確認する"],"recipe":{"type":"参照作品の文字・記号・スケールを観察する","layout":"視線と情報を支配する構造を一つ抽出する","material":"時代・地域・制作工程に固有の素材と挙動を確認する"},"avoid":"表面的な記号へ還元せず、時代・地域・技術・制作主体の文脈を確認する。","colors":["#e9e6dd","#67635d","#171615"],"motif":"type","pair":["mincho","experimental-type"],"study":["石井茂吉と森澤信夫","写研の書体開発","1970年代の詰め組み表現"],"en":{"essence":"Composition by lens and glass matrix, printing letters optically — bringing tight setting, distortion and smooth contours metal type never allowed.","cues":["Enlarging and reducing by lens","Tight letterspacing","Condensed, extended, oblique","Smooth contours"],"works":["Reading the lettering of late-Shōwa ads and magazines","Understanding pre-digital composition's freedoms and limits"],"recipe":{"type":"Observe the letters, signs and scale of reference works","layout":"Extract the one structure that governs gaze and information","material":"Verify the materials and behaviors specific to era, region and process"},"avoid":"Don't reduce it to surface signs. Verify the context of era, region, technology and makers.","study":["Ishii Mokichi and Morisawa Nobuo","Shaken's typeface program","the tight-set look of the 1970s"]}}