{"id":"photomontage","no":103,"name":"Photomontage","ja":"フォトモンタージュ","era":"1910s–","family":"写真と印刷","kind":"技法","collection":"Dictionary expansion 05","addedAt":"2026-08-17","source":{"title":"MoMA — Photomontage","url":"https://www.moma.org/collection/terms/photomontage"},"reference":{"status":"verified","pageUrl":"https://www.moma.org/collection/terms/photomontage","credit":"MoMA — Photomontage","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Oscar-gustave-rejlander%20two%20ways%20of%20life.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Oscar-gustave-rejlander%20two%20ways%20of%20life.jpg","credit":"レイランダー『人生の二つの道』1857"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Henry%20Peach%20Robinson%2C%20Fading%20Away%2C%201858.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Henry%20Peach%20Robinson%2C%20Fading%20Away%2C%201858.jpg","credit":"ロビンソン『消えゆく命』1858"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Henry%20Peach%20Robinson%20-%20Dawn%20and%20Sunset%20-%201998.105%20-%20Cleveland%20Museum%20of%20Art.tif?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Henry%20Peach%20Robinson%20-%20Dawn%20and%20Sunset%20-%201998.105%20-%20Cleveland%20Museum%20of%20Art.tif","credit":"ロビンソン『夜明けと日没』"}]},"essence":"複数の写真断片を切断・接合し、元の現実にはない関係や批評的な意味を一枚の像へ組み立てる。","cues":["切り抜き写真","異なる縮尺","継ぎ目","印刷物の再利用"],"intents":["反骨","高揚","遊び"],"works":["歴史的な作例と成立条件を比較する","現代の媒体へ移す際に残す原理を見極める"],"recipe":{"type":"参照作品の文字と画面構成を観察する","layout":"視線を導く主要原理を一つ抽出する","material":"技法固有の素材・工程・支持体を確認する"},"avoid":"見た目の記号だけでなく、成立した媒体・技法・社会的文脈まで確認する。","colors":["#e6dfd0","#b83b2f","#1d1b19"],"motif":"collage","pair":["dada","constructivism"],"study":["Hannah Höch","John Heartfield","Aleksandr Rodchenko"],"en":{"essence":"Cuts and rejoins photographic fragments, assembling relations and critical meanings that never existed in the original reality.","cues":["Cut-out photographs","Mixed scales","Visible seams","Reused print matter"],"works":["Comparing historical works and their conditions","Deciding which principles survive translation to today's media"],"recipe":{"type":"Observe the type and composition of reference works","layout":"Extract the one principle that steers the eye","material":"Verify the technique's own materials, process and support"},"avoid":"Check not only the look but the medium, technique and social context in which it formed.","study":["Hannah Höch","John Heartfield","Aleksandr Rodchenko"]}}