{"id":"photo-essay","no":348,"name":"Photo Essay","ja":"フォトエッセイ","era":"1936–1972","family":"出版と編集","kind":"レイアウト","collection":"Dictionary expansion 19","addedAt":"2026-08-18","source":{"title":"LIFE","url":"https://www.life.com/"},"reference":{"status":"verified","pageUrl":"https://www.life.com/","credit":"LIFE","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Madagascar%20pendant%20la%20Guerre%20-%20Urbain%20Faurec%20pour%20Vu%20(21-2-1940).jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Madagascar%20pendant%20la%20Guerre%20-%20Urbain%20Faurec%20pour%20Vu%20(21-2-1940).jpg","credit":"ユルバン・フォレック『Vu』誌「戦時下のマダガスカル」1940 — Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/1935.%20%D0%A1%D1%82%D1%80%D0%B0%D0%BD%D0%B8%D1%86%D0%B0%20%D0%B8%D0%B7%20%D0%B6%D1%83%D1%80%D0%BD%D0%B0%D0%BB%D0%B0%20%C2%AB%D0%A1%D0%A1%D0%A1%D0%A0%20%D0%BD%D0%B0%20%D1%81%D1%82%D1%80%D0%BE%D0%B9%D0%BA%D0%B5%C2%BB%2C%20%E2%84%96%208.%20%D0%95%D1%81%D1%82%D1%8C%20%D0%BC%D0%B5%D1%82%D1%80%D0%BE!.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:1935.%20%D0%A1%D1%82%D1%80%D0%B0%D0%BD%D0%B8%D1%86%D0%B0%20%D0%B8%D0%B7%20%D0%B6%D1%83%D1%80%D0%BD%D0%B0%D0%BB%D0%B0%20%C2%AB%D0%A1%D0%A1%D0%A1%D0%A0%20%D0%BD%D0%B0%20%D1%81%D1%82%D1%80%D0%BE%D0%B9%D0%BA%D0%B5%C2%BB%2C%20%E2%84%96%208.%20%D0%95%D1%81%D1%82%D1%8C%20%D0%BC%D0%B5%D1%82%D1%80%D0%BE!.jpg","credit":"エル・リシツキー『建設のソ連邦』第8号「地下鉄ができた！」1935 — Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Le%20journal%20du%20front%20l'As%20de%20Carreau%2C%2042e%20RIF%2C%201940.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Le%20journal%20du%20front%20l'As%20de%20Carreau%2C%2042e%20RIF%2C%201940.jpg","credit":"『Vu』誌 前線新聞『As de Carreau』の制作を追った組写真 1940 — Wikimedia Commons / Public domain"}]},"essence":"『LIFE』が完成させた、複数の写真を起承転結に編む誌面形式。見開きの大小関係、導入と結びの一枚、キャプションの声が、写真に物語の文法を与えた。","cues":["起承転結の写真配列","見開きの大小対比","決めの一枚の全面使い","キャプションの語り"],"intents":["親密","高揚","信頼"],"works":["長期の密着取材を、雑誌やウェブで通しで読ませたいとき","企業の年次報告で、事業を人の仕事として語り直すとき"],"recipe":{"type":"キャプションを本文と別の声で書き、写真の外の情報を渡す","layout":"見開きごとに大きい一枚を決め、同じ寸法を並べない","material":"冒頭と結びに全面の一枚を置き、途中は密度を上げる"},"avoid":"良い写真を並べるだけで順番を設計せず、どの見開きも同じ調子になって読み進む理由が消える。","colors":["#e1d9c6","#9d2e2c","#2e3648"],"motif":"photo","pair":["decisive-moment","fsa-documentary"],"study":["ユージン・スミス『カントリー・ドクター』","『LIFE』のレイアウト部","グラフ誌の国際比較"],"en":{"essence":"The page form LIFE perfected: photographs edited into narrative arcs. Spread-scale contrasts, opening and closing images and the voice of captions gave photography a story grammar.","cues":["Sequenced narrative arcs","Size contrast across spreads","The full-page key image","Captions that narrate"],"works":["Long-form field reporting laid out to be read straight through in print or online","Annual reports that retell a business as the work of people"],"recipe":{"type":"Write captions in a voice apart from the body text","layout":"One dominant image per spread and never equal sizes","material":"Full-page frames open and close, denser pages between"},"avoid":"Good pictures get lined up without a sequence being designed, every spread arrives at the same pitch, and the reader loses any reason to turn the page.","study":["Eugene Smith's Country Doctor","LIFE's layout department","the international picture magazines"]},"links":{"page":"https://indexstyle.org/styles/photo-essay","json":"https://indexstyle.org/api/styles/photo-essay","designSpec":"https://indexstyle.org/styles/photo-essay/design.md","imagePrompt":"https://indexstyle.org/styles/photo-essay/prompt.txt"},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}