{"id":"pattern-and-decoration","no":450,"name":"Pattern and Decoration","ja":"パターン・アンド・デコレーション","era":"1975–1985","family":"装飾","kind":"スタイル","collection":"Dictionary expansion 24","addedAt":"2026-08-18","source":{"title":"Wikipedia — Pattern and Decoration","url":"https://en.wikipedia.org/wiki/Pattern_and_Decoration"},"reference":{"status":"verified","pageUrl":"https://en.wikipedia.org/wiki/Pattern_and_Decoration","credit":"Wikipedia — Pattern and Decoration","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/An%20Interior%20Decorated.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:An%20Interior%20Decorated.jpg","credit":"Robert Kushner《An Interior Decorated》— Wikimedia Commons / CC BY 4.0"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Targets%20(interior%20view).jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Targets%20(interior%20view).jpg","credit":"パターン・アンド・デコレーションの室内作品《Targets》— Wikimedia Commons / CC BY 4.0"}]},"essence":"「装飾は劣ったもの」というモダニズムの前提に正面から異議を唱えた運動。イスラーム幾何文様、キルト、壁紙、テキスタイルの反復を大画面へ持ち込み、女性の手仕事と非西洋の様式を美術の中心へ置いた。装飾の政治性を扱う出発点。","cues":["全面を覆う反復パターン","キルトとテキスタイルの引用","非西洋の文様の参照","縁のないオールオーバー構成"],"intents":["遊び","高級","反骨"],"works":["布や壁紙の商品で、反復そのものを主題として大きく見せたいとき","手仕事や女性史を扱う展示で、装飾を副次でなく主役に置くとき"],"recipe":{"type":"文字も文様の一単位として扱い、面の中に織り込む","layout":"縁を作らず、複数の文様を継ぎ合わせて全面を覆う","material":"布や紙や釉薬など異なる素材の文様を並べて縫い合わせる"},"avoid":"元の文様の出所を確かめずに引けば、手仕事への敬意という核が抜けて柄の寄せ集めになる。白い余白の中心を文様で縁取れば、覆したはずの序列が戻る。","colors":["#d8d2cc","#cc8735","#3d3c33"],"motif":"graphic","pair":["arts-and-crafts","islamic-geometric-pattern"],"study":["フェミニズム美術との接続","装飾＝犯罪への反論","テキスタイル史の再評価"],"en":{"essence":"A movement that argued head-on with modernism's premise that ornament is inferior. It brought the repetitions of Islamic geometry, quilts, wallpaper and textiles onto large canvases and placed women's handwork and non-Western idioms at the centre of art. The starting point for treating decoration as a political question.","cues":["Repeating pattern covering the whole surface","Quotation of quilts and textiles","Reference to non-Western ornament","All-over composition without borders"],"works":["Surface and packaging systems in textiles, hospitality and cosmetics where the identity is a repeating field rather than a mark","Cultural programmes and publications that need ornament to carry an argument about whose craft counts"],"recipe":{"type":"Type set inside the pattern at the same visual weight as the motif, so that nothing sits on top of the decoration.","layout":"An edge-to-edge repeat with no frame and no focal point, the format read as a cut from an unbounded field.","material":"Fabric, print or tile whose repeat is honest, the join left visible, with unrelated patterns allowed to meet."},"avoid":"Quoting the patterns without checking where they came from drops the respect for handwork at its core and leaves a jumble. Framing a modernist white centre with pattern reinstates the hierarchy it overturned.","study":["Its connection to feminist art","The counter-argument to ornament as crime","The re-evaluation of textile history"]},"links":{"page":"https://indexstyle.org/styles/pattern-and-decoration","json":"https://indexstyle.org/api/styles/pattern-and-decoration","designSpec":"https://indexstyle.org/styles/pattern-and-decoration/design.md","imagePrompt":"https://indexstyle.org/styles/pattern-and-decoration/prompt.txt"},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}