{"id":"pattern-and-decoration","no":491,"name":"Pattern and Decoration","ja":"パターン・アンド・デコレーション","era":"1975–1985","family":"装飾","kind":"スタイル","collection":"Dictionary expansion 24","addedAt":"2026-08-18","source":{"title":"Wikipedia — Pattern and Decoration","url":"https://en.wikipedia.org/wiki/Pattern_and_Decoration"},"reference":{"status":"verified","pageUrl":"https://en.wikipedia.org/wiki/Pattern_and_Decoration","credit":"Wikipedia — Pattern and Decoration","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/An%20Interior%20Decorated.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:An%20Interior%20Decorated.jpg","credit":"Robert Kushner《An Interior Decorated》— Wikimedia Commons / CC BY 4.0"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Targets%20(interior%20view).jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Targets%20(interior%20view).jpg","credit":"パターン・アンド・デコレーションの室内作品《Targets》— Wikimedia Commons / CC BY 4.0"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Womanhouse%20exhibition%20catalog%20cover.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Womanhouse%20exhibition%20catalog%20cover.jpg","credit":"『Womanhouse』展カタログ表紙 1972 — Wikimedia Commons / CC BY-SA 4.0"}]},"essence":"「装飾は劣ったもの」というモダニズムの前提に正面から異議を唱えた運動。イスラーム幾何文様、キルト、壁紙、テキスタイルの反復を大画面へ持ち込み、女性の手仕事と非西洋の様式を美術の中心へ置いた。装飾の政治性を扱う出発点。","cues":["全面を覆う反復パターン","キルトとテキスタイルの引用","非西洋の文様の参照","縁のないオールオーバー構成"],"intents":["遊び","高級","反骨"],"works":["一次資料と代表作から成立条件を比較する","別媒体へ応用できる構成原理を取り出す"],"recipe":{"type":"参照作品の文字・記号・スケールを観察する","layout":"視線と情報を支配する構造を一つ抽出する","material":"時代・地域・制作工程に固有の素材と挙動を確認する"},"avoid":"表面的な記号へ還元せず、時代・地域・技術・制作主体の文脈を確認する。","colors":["#e9e6dd","#67635d","#171615"],"motif":"graphic","pair":["arts-and-crafts","islamic-geometric-pattern"],"study":["フェミニズム美術との接続","装飾＝犯罪への反論","テキスタイル史の再評価"],"en":{"essence":"A movement that argued head-on with modernism's premise that ornament is inferior. It brought the repetitions of Islamic geometry, quilts, wallpaper and textiles onto large canvases and placed women's handwork and non-Western idioms at the centre of art. The starting point for treating decoration as a political question.","cues":["Repeating pattern covering the whole surface","Quotation of quilts and textiles","Reference to non-Western ornament","All-over composition without borders"],"works":["Surface and packaging systems in textiles, hospitality and cosmetics where the identity is a repeating field rather than a mark","Cultural programmes and publications that need ornament to carry an argument about whose craft counts"],"recipe":{"type":"Type set inside the pattern at the same visual weight as the motif, so that nothing sits on top of the decoration.","layout":"An edge-to-edge repeat with no frame and no focal point, the format read as a cut from an unbounded field.","material":"Fabric, print or tile whose repeat is honest, the join left visible, with unrelated patterns allowed to meet."},"avoid":"Using the pattern as a border around a modernist white centre, which reinstates precisely the hierarchy the movement set out to overturn.","study":["Its connection to feminist art","The counter-argument to ornament as crime","The re-evaluation of textile history"]}}