{"id":"paper-marbling","no":79,"name":"Paper Marbling","ja":"マーブリング","era":"historical–present","family":"装飾紙","kind":"技法","collection":"Archive expansion 02","source":{"title":"Wikimedia Commons — French marbled endpaper","url":"https://commons.wikimedia.org/wiki/File:PaperMarbling005France1735.jpg"},"addedAt":"2026-08-17","reference":{"status":"verified","pageUrl":"https://commons.wikimedia.org/wiki/File:PaperMarbling005France1735.jpg","credit":"Unknown maker, French marbled endpaper, c. 1735","gallery":[{"imageUrl":"https://upload.wikimedia.org/wikipedia/commons/thumb/4/49/PaperMarbling005France1735.jpg/1280px-PaperMarbling005France1735.jpg","pageUrl":"https://commons.wikimedia.org/wiki/File:PaperMarbling005France1735.jpg","credit":"Unknown maker, French marbled endpaper, c. 1735"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/French%20curl%20marbled%20endpaper%20from%20Beaumont%20and%20Fletcher's%20Comedies%20and%20Tragedies%20(1647).jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:French%20curl%20marbled%20endpaper%20from%20Beaumont%20and%20Fletcher's%20Comedies%20and%20Tragedies%20(1647).jpg","credit":"マーブル装丁紙 1647"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Ebru%20(Water%20Marbling)%20Art.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Ebru%20(Water%20Marbling)%20Art.jpg","credit":"エブル（トルコの墨流し）"}]},"essence":"液面に浮かべた色の流れを一度だけ紙へ移し、反復できない秩序をつくる。","cues":["流体の筋","櫛目","多色の渦","一枚ごとの差"],"intents":["高級","親密","懐かしさ"],"works":["装丁・包装・背景へ固有の一枚感を与える","厳密な組版へ有機的な対比を加える"],"recipe":{"type":"柄と競わない端正なセリフか小さなサンセリフ","layout":"柄を全面に使うなら文字面を一つ確保。部分使いなら断面を見せる","material":"2〜4色の流れ、紙の吸い込み、わずかな不均一"},"avoid":"デジタルの渦模様だけで代用しない。液体の流れ、櫛の操作、転写の偶然性を理解する。","colors":["#d8c7a0","#754f62","#315d68"],"motif":"fluid","pair":["luxury-minimal","arts-and-crafts"],"study":["bookbinding endpapers","ebru and suminagashi traditions"],"en":{"essence":"Transfers the flow of colors floating on liquid to paper exactly once — an order that cannot repeat.","cues":["Fluid veins","Comb patterns","Multicolor swirls","Every sheet different"],"works":["A one-of-one feel for bindings, packaging and grounds","Organic counterpoint to strict typesetting"],"recipe":{"type":"A composed serif or small sans that doesn't fight the pattern","layout":"Full-bleed pattern needs one clear text plane; partial use should show the cut edge","material":"Two to four flowing colors, the paper's absorbency, slight unevenness"},"avoid":"A digital swirl is no substitute. Understand the liquid's flow, the comb, the chance of transfer.","study":["bookbinding endpapers","ebru and suminagashi traditions"]}}