{"id":"panoramic-map","no":231,"name":"Hatsusaburō Panoramic Map","ja":"初三郎式鳥瞰図","era":"1913–1950s","family":"図解表現","kind":"スタイル","collection":"Dictionary expansion 13","addedAt":"2026-08-18","source":{"title":"国際日本文化研究センター — 吉田初三郎式鳥瞰図データベース","url":"https://iiif.nichibun.ac.jp/YSD/"},"reference":{"status":"verified","pageUrl":"https://iiif.nichibun.ac.jp/YSD/","credit":"国際日本文化研究センター — 吉田初三郎式鳥瞰図データベース","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Ise%20Meisho%20Zue%20painted%20by%20Hatsusabur%C5%8D%20Yoshida.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Ise%20Meisho%20Zue%20painted%20by%20Hatsusabur%C5%8D%20Yoshida.jpg","credit":"吉田初三郎『伊勢名所図会』 — Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Ome%20tetsudo%20ensen%20meisho%20zue%20by%20Hatsusaburo%20Yoshida%20-%20004985735%20o.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Ome%20tetsudo%20ensen%20meisho%20zue%20by%20Hatsusaburo%20Yoshida%20-%20004985735%20o.jpg","credit":"『青梅鉄道沿線名所図会』（CC0）"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/EXPO%20Taiwan%20bird-eye%20view%20map%20part%201935.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:EXPO%20Taiwan%20bird-eye%20view%20map%20part%201935.jpg","credit":"台湾博覧会鳥瞰図 1935 — Wikimedia Commons / Public domain"}]},"essence":"吉田初三郎が確立した観光鳥瞰図の様式。極端に湾曲する地平線、誇張された名所、遠方の都市まで一枚に収める視野で、大正・昭和の日本の旅を絵地図に変えた。","cues":["湾曲する地平線","名所の誇張","極端な広角の視野","絵画的な彩色"],"intents":["高揚","懐かしさ","遊び"],"works":["観光地の全体像と行き方を、一枚の絵で楽しく伝えたいとき","離れた名所同士の関係を、距離を無視して同じ画面に置くとき"],"recipe":{"type":"地名は縦組みの筆文字で、名所ほど大きく書き入れる","layout":"地平線を大きく湾曲させ、主役の一帯だけ手前に引き伸ばす","material":"淡い水彩の地に、社寺の朱と山の緑を効かせて刷る"},"avoid":"湾曲と誇張を効かせすぎて経路の順序まで崩すと、絵としては楽しいが現地で使えない地図になる","colors":["#d4c3ac","#db9830","#36553b"],"motif":"display","pair":["transit-diagram","angura-poster"],"study":["吉田初三郎","大正広重と呼ばれた商業画室","観光と鉄道のメディア史"],"en":{"essence":"The tourist bird's-eye map style perfected by Hatsusaburō Yoshida: extravagantly curved horizons, exaggerated landmarks and a view that pulls distant cities into one sheet, turning Taishō and Shōwa era travel into pictorial maps.","cues":["Curving horizons","Exaggerated landmarks","Extreme wide-angle views","Painterly color"],"works":["Conveying a destination's whole layout and access in one enjoyable sheet","Placing distant landmarks on one view by ignoring real distance"],"recipe":{"type":"Vertical brush lettering for place names, larger for the famous ones","layout":"Curve the horizon strongly and stretch the featured area toward the viewer","material":"Pale watercolor ground with shrine vermilion and mountain green printed over"},"avoid":"Pushing curve and exaggeration until the order of the route breaks gives a map that is fun to look at and useless on the ground.","study":["Hatsusaburō Yoshida","the studio called the Taishō Hiroshige","the media history of tourism and railways"]},"links":{"page":"https://indexstyle.org/styles/panoramic-map","json":"https://indexstyle.org/api/styles/panoramic-map","designSpec":"https://indexstyle.org/styles/panoramic-map/design.md","imagePrompt":"https://indexstyle.org/styles/panoramic-map/prompt.txt"},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}