{"id":"paint-on-glass-animation","no":623,"name":"Paint-on-Glass Animation","ja":"ペイント・オン・グラス・アニメーション","era":"1940s–","family":"アニメーション技法","kind":"技法","essence":"ガラス面の乾きにくい絵具をカメラの下で足し引きし、前の像を消しながら次の像へ変える技法。一枚ごとの完成画を交換せず、筆跡、拭き跡、混色が時間の連続として同じ面へ蓄積する。","cues":["輪郭が筆と指で押されて次の形へ溶ける","前の像が薄い汚れや色の筋として残る","不透明な塊と半透明な拭き取りが同居する","カットではなく画面全体が流動的に変形する"],"intents":["親密","静けさ","高揚"],"sourceTitle":"National Film Board of Canada — The Art of the Animator, Part I","sourceUrl":"https://collection.nfb.ca/film/the-art-of-the-animator-part-i","pair":["direct-animation","sand-animation"],"study":["Caroline Leaf","painting directly under the camera","adding and subtracting wet paint on glass"],"works":["記憶や感情の変化を、場面転換ではなく同じ像の変形として見せる短編","絵画の筆致を静止画の質感ではなく、時間を運ぶ素材として使う音楽映像"],"recipe":{"type":"長文は別レイヤーへ分け、手描き文字を使うなら絵具の変形と同じ速度で一語ずつ現して消す。","layout":"一つの焦点を残したまま周囲を拭いて次の場面へ変える。完全な白紙へ戻るカットを減らす。","material":"乾きにくい油性絵具またはガッシュをガラスへ置き、筆、指、布で足し引きする。照明とカメラを固定する。"},"avoid":"完成した絵へデジタルのモーフィングを掛けるだけではない。各フレームが同じ濡れた絵具を実際に足し引きした履歴を持つ。","colors":["#342D2A","#9A4C3F","#D7C6A1"],"motif":"animation","collection":"Dictionary expansion 34","addedAt":"2026-08-23","source":{"title":"National Film Board of Canada — The Art of the Animator, Part I","url":"https://collection.nfb.ca/film/the-art-of-the-animator-part-i"},"reference":{"status":"verified","pageUrl":"https://collection.nfb.ca/film/the-art-of-the-animator-part-i","credit":"National Film Board of Canada — The Art of the Animator, Part I"},"en":{"essence":"Paint-on-glass animation adds and removes slow-drying paint on one pane beneath a camera. It does not replace one finished drawing with another: brush marks, wiped traces and mixed color accumulate as a continuous history on the same surface.","cues":["Contours pushed by brush and finger into the next form","The previous image lingering as stains and streaks","Opaque masses beside translucent wiped passages","The whole field transforming fluidly instead of cutting"],"works":["Showing memory or emotional change as transformation within one image","Using painterly marks as time-bearing material in music film rather than as static texture"],"recipe":{"type":"Keep long copy on a separate layer; if words are painted, reveal and erase them one at a time at the painting's pace.","layout":"Retain one focal trace while wiping the surroundings into the next scene. Reduce returns to a completely blank frame.","material":"Put slow-drying oil paint or gouache on glass and add or subtract it with brush, finger and cloth beneath locked camera and light."},"avoid":"Morphing between finished digital paintings is different. Each frame should carry the actual history of wet paint added to and removed from one surface.","study":["Caroline Leaf","Painting directly under the camera","Adding and subtracting wet paint on glass"]},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}