{"id":"orphism","no":420,"name":"Orphism","ja":"オルフィスム","era":"1912–1914","family":"幾何学抽象","kind":"スタイル","collection":"Dictionary expansion 23","addedAt":"2026-08-18","source":{"title":"Tate — Art Terms: Orphism","url":"https://www.tate.org.uk/art/art-terms/o/orphism"},"reference":{"status":"verified","pageUrl":"https://www.tate.org.uk/art/art-terms/o/orphism","credit":"Tate — Art Terms: Orphism","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/1912%20Delaunay%20Simultanfenster%20auf%20die%20Stadt%20anagoria.JPG?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:1912%20Delaunay%20Simultanfenster%20auf%20die%20Stadt%20anagoria.JPG","credit":"Robert Delaunay《街への同時窓》1912 — Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Delaunay%20Disque%20simultan%C3%A9.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Delaunay%20Disque%20simultan%C3%A9.jpg","credit":"Robert Delaunay《同時的ディスク》— Wikimedia Commons / Public domain"}]},"essence":"キュビスムの分解に色彩と運動を戻し、同時対比する円環で光そのものを描いた抽象。回転するディスクと分光したスペクトルが、静止画面の中に時間と振動を生む。色の同時対比理論を造形へ翻訳した最初の実践のひとつ。","cues":["同心円と回転するディスク","スペクトル順に並ぶ色相","円弧の交差による分割","色の同時対比"],"intents":["高揚","技術"],"works":["音や光の広がりを、静止した画面の中に図として置き換えて見せるとき","回転や循環を主題にする装飾面や幕を、色だけで動かすとき"],"recipe":{"type":"丸みのある幾何学サンセリフを控えめに置き、文字は円弧に沿わせて濃度を変える","layout":"同心円を交差させ、中心をずらした軸から円弧で画面を分割する","material":"スペクトル順の色相を平らな面で並べ、隣接で明度差を作りすぎない"},"avoid":"円と色相環を機械的に並べただけでは同時対比が働かず、明度差で濁った模様が残るだけになる。","colors":["#f1f2f1","#aa3423","#404663"],"motif":"graphic","pair":["cubism","suprematism"],"study":["シュヴルールの同時対比の法則","ドローネー夫妻の役割分担","同時性という語の来歴"],"en":{"essence":"An abstraction that returned colour and movement to Cubist fragmentation, painting light itself through rings of simultaneous contrast. Rotating discs and a refracted spectrum generate time and vibration within a static surface. One of the first practices to translate the theory of simultaneous colour contrast into form.","cues":["Concentric circles and rotating discs","Hues arranged in spectral order","Divisions made by intersecting arcs","Simultaneous contrast of colour"],"works":["Turning the spread of sound or light into a figure that stays on a still surface","Decorative panels and drapes on rotation and cycle, set moving by colour alone"],"recipe":{"type":"A rounded geometric sans used sparingly, letters following the arcs with shifting density","layout":"Concentric and interlocking discs sliced by arcs radiating from off centre pivots","material":"Spectrum ordered hues in flat even segments, with little lightness difference between neighbours"},"avoid":"Avoid letting the discs decay into generic rainbow ornament; the arcs must follow simultaneous-contrast logic, each hue chosen against its neighbour.","study":["Chevreul's law of simultaneous contrast","The division of roles between Robert and Sonia Delaunay","The history of the term 'simultaneity'"]},"links":{"page":"https://indexstyle.org/styles/orphism","json":"https://indexstyle.org/api/styles/orphism","designSpec":"https://indexstyle.org/styles/orphism/design.md","imagePrompt":"https://indexstyle.org/styles/orphism/prompt.txt"},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}