{"id":"orphism","no":461,"name":"Orphism","ja":"オルフィスム","era":"1912–1914","family":"幾何学抽象","kind":"スタイル","collection":"Dictionary expansion 23","addedAt":"2026-08-18","source":{"title":"Tate — Art Terms: Orphism","url":"https://www.tate.org.uk/art/art-terms/o/orphism"},"reference":{"status":"verified","pageUrl":"https://www.tate.org.uk/art/art-terms/o/orphism","credit":"Tate — Art Terms: Orphism","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/1912%20Delaunay%20Simultanfenster%20auf%20die%20Stadt%20anagoria.JPG?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:1912%20Delaunay%20Simultanfenster%20auf%20die%20Stadt%20anagoria.JPG","credit":"Robert Delaunay《街への同時窓》1912 — Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Delaunay%20Disque%20simultan%C3%A9.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Delaunay%20Disque%20simultan%C3%A9.jpg","credit":"Robert Delaunay《同時的ディスク》— Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Delaunay-Windows.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Delaunay-Windows.jpg","credit":"Robert Delaunay《窓》連作 — Wikimedia Commons / Public domain"}]},"essence":"キュビスムの分解に色彩と運動を戻し、同時対比する円環で光そのものを描いた抽象。回転するディスクと分光したスペクトルが、静止画面の中に時間と振動を生む。色の同時対比理論を造形へ翻訳した最初の実践のひとつ。","cues":["同心円と回転するディスク","スペクトル順に並ぶ色相","円弧の交差による分割","色の同時対比"],"intents":["高揚","技術"],"works":["一次資料と代表作から成立条件を比較する","別媒体へ応用できる構成原理を取り出す"],"recipe":{"type":"参照作品の文字・記号・スケールを観察する","layout":"視線と情報を支配する構造を一つ抽出する","material":"時代・地域・制作工程に固有の素材と挙動を確認する"},"avoid":"表面的な記号へ還元せず、時代・地域・技術・制作主体の文脈を確認する。","colors":["#e9e6dd","#67635d","#171615"],"motif":"graphic","pair":["cubism","suprematism"],"study":["シュヴルールの同時対比の法則","ドローネー夫妻の役割分担","同時性という語の来歴"],"en":{"essence":"An abstraction that returned colour and movement to Cubist fragmentation, painting light itself through rings of simultaneous contrast. Rotating discs and a refracted spectrum generate time and vibration within a static surface. One of the first practices to translate the theory of simultaneous colour contrast into form.","cues":["Concentric circles and rotating discs","Hues arranged in spectral order","Divisions made by intersecting arcs","Simultaneous contrast of colour"],"works":["Motion identities and loading animations built from spinning colour wheels","Festival and music graphics that turn sound into chromatic rhythm"],"recipe":{"type":"Rounded geometric sans, set sparingly so the circles carry the rhythm","layout":"Concentric and interlocking discs sliced by arcs, radiating from off-centre pivots","material":"Full-spectrum prismatic hues in flat, evenly saturated segments"},"avoid":"Avoid letting the discs decay into generic rainbow ornament; the arcs must follow simultaneous-contrast logic, each hue chosen against its neighbour.","study":["Chevreul's law of simultaneous contrast","The division of roles between Robert and Sonia Delaunay","The history of the term 'simultaneity'"]}}