{"id":"orientalism","no":620,"name":"Orientalism","ja":"オリエンタリズム","era":"19th century","family":"異文化受容","kind":"スタイル","essence":"欧米の画家や観客が北アフリカ、中東、東地中海を「東洋」として一括し、旅の観察、収集品、想像上の室内、官能性、暴力、古代性を混ぜて構成した19世紀の表象様式。植民地支配と不均衡な視線を伴う歴史的カテゴリーとして扱う。","cues":["欧米の観客向けに構成された市場、宮殿、浴場、砂漠","絨毯、タイル、金属器、衣装を密集させる表面","低い室内光、宝石色、細密な材質描写","観察記録と想像上のハーレムや暴力場面の混在"],"intents":["高級","高揚","技術"],"sourceTitle":"The Metropolitan Museum of Art — Orientalism in Nineteenth-Century Art","sourceUrl":"https://www.metmuseum.org/essays/orientalism-in-nineteenth-century-art","pair":["romanticism","japonisme"],"study":["Orientalism in nineteenth-century art","colonial representation and the imagined East","Gérôme, Delacroix and European collecting"],"works":["19世紀欧米美術が他地域をどう想像し、権力関係を画面へ埋め込んだかを批評的に分析するとき","歴史的な展示や編集で、材質表現の精密さと表象上の偏りを同時に可視化するとき"],"recipe":{"type":"制作物へ転用するより、作品名、作者、描かれた地域、制作時の植民地関係をキャプションで明示する。","layout":"密集した室内、横長の市場、遠景の砂漠といった典型構図を比較し、誰の視点が画面を支配するかを示す。","material":"絨毯、タイル、金属、衣服の細部は出自を特定し、互いに異なる文化を一つの装飾セットへ混ぜない。"},"avoid":"現代のブランドや人物を『異国的』『官能的』に見せる中立な様式として使わない。歴史研究・批評の文脈を離れると、植民地主義的な類型を反復する。","colors":["#8A3F2D","#C89A48","#244D52"],"motif":"interior","collection":"Dictionary expansion 33","addedAt":"2026-08-22","source":{"title":"The Metropolitan Museum of Art — Orientalism in Nineteenth-Century Art","url":"https://www.metmuseum.org/essays/orientalism-in-nineteenth-century-art"},"reference":{"status":"verified","pageUrl":"https://www.metmuseum.org/essays/orientalism-in-nineteenth-century-art","credit":"The Metropolitan Museum of Art — Orientalism in Nineteenth-Century Art"},"en":{"essence":"Nineteenth-century Orientalism grouped North Africa, the Middle East and the eastern Mediterranean into a Western imagined East, combining travel, collected objects, fantasy interiors, sensuality, violence and antiquity within colonial power relations.","cues":["Markets, palaces, baths and deserts composed for Western audiences","Carpets, tiles, metalwork and dress densely accumulated","Low interior light, jewel color and meticulous surfaces","Observed travel detail mixed with imagined harems or violence"],"works":["Critically analyzing how nineteenth-century Western art imagined other regions and embedded power in the image","Showing both material virtuosity and representational bias in historical exhibitions or editorial work"],"recipe":{"type":"Treat it as analysis rather than a transferable look, captioning maker, work, represented region and the colonial relation at production.","layout":"Compare crowded interiors, horizontal markets and distant deserts, asking whose viewpoint controls the image.","material":"Identify the origins of carpets, tile, metal and clothing instead of merging different cultures into one decorative set."},"avoid":"Do not use it as a neutral style for making contemporary brands or people seem exotic or sensual. Outside historical research and critique, it repeats colonial stereotypes.","study":["Orientalism in nineteenth-century art","Colonial representation and the imagined East","Gérôme, Delacroix and European collecting"]},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}