{"id":"oribe-ware","no":512,"name":"Oribe Ware","ja":"織部","era":"Momoyama period–","family":"陶磁の様式","kind":"スタイル","collection":"Dictionary expansion 26","addedAt":"2026-08-19","source":{"title":"Getty Research Institute — Art & Architecture Thesaurus: Oribe (300018624)","url":"https://vocab.getty.edu/page/aat/300018624"},"reference":{"status":"verified","pageUrl":"https://vocab.getty.edu/page/aat/300018624","credit":"Getty Research Institute — Art & Architecture Thesaurus: Oribe (300018624)","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Cornered%20bowl%2C%20Mino%20ware%2C%20Oribe%20type%2C%20Japan%2C%20Edo%20period%2C%201600s%20AD%2C%20ceramic%20with%20glazes%20-%20Tokyo%20National%20Museum%20-%20Tokyo%2C%20Japan%20-%20DSC08997.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Cornered%20bowl%2C%20Mino%20ware%2C%20Oribe%20type%2C%20Japan%2C%20Edo%20period%2C%201600s%20AD%2C%20ceramic%20with%20glazes%20-%20Tokyo%20National%20Museum%20-%20Tokyo%2C%20Japan%20-%20DSC08997.jpg","credit":"織部 角鉢 美濃焼 江戸時代 17世紀 — Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Aichi%20Prefectural%20Ceramic%20Museum%202018%20(114).jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Aichi%20Prefectural%20Ceramic%20Museum%202018%20(114).jpg","credit":"織部 輪花皿 美濃窯 桃山から江戸初期 17世紀 — Wikimedia Commons / CC0"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/MET%2007%209%20O1.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:MET%2007%209%20O1.jpg","credit":"織部 茶碗 日本 17世紀 — Wikimedia Commons / CC0"}]},"essence":"桃山から徳川初期にかけて瀬戸と美濃の窯で焼かれた炻器の様式で、茶の湯の道具が中心にある。肌はざらつき、釉の色は少なく温かい。銅の緑釉を器の一部にだけ掛け、残した素地に鉄で文様を描く。","cues":["銅の緑釉が器の一面だけに掛かり、掛けた側と掛けない側の境が一本の線として残る","釉の掛からない素地の面に、鉄の絵具で線と幾何の文様が筆で描かれる","肌がざらつき、磁器のように平滑な面にならない","色数が少なく、緑釉と素地の温かい灰白、鉄の黒褐色でほぼ足りている"],"intents":["静けさ","遊び","親密"],"works":["面の半分だけに色を置く掛け分けを構図の軸にして、器やパッケージを設計するとき","工業的な均一さを避け、手で作った不揃いさを見せたい商品写真やグラフィックを組むとき"],"recipe":{"type":"文字は筆で書き、線の太さを揃えない。品名や札も器の鉄絵と同じ筆致にする。","layout":"画面を掛け分けの境で二つに割り、片側を色面、片側を余白と文様にあてる。境は定規で引かない。","material":"銅の緑を主色に、素地の温かい灰白と鉄の黒褐色を添える。表面は平滑に仕上げず、粒と刷毛の跡を残す。"},"avoid":"歪みや不揃いを狙って足すと作為が表に出て、道具として使われた器の落ち着きが消える。","colors":["#4C7A47","#D8CBB0","#3A2B21"],"motif":"graphic","pair":["mingei","roji"],"study":["瀬戸と美濃の窯が桃山期に何を焼いていたか","銅を含む釉が焼成でどう緑に発色するか","茶の湯の道具に求められた形と、鑑賞用に作られた器の違い"],"en":{"essence":"A stoneware style fired in the Seto and Mino kilns from the Momoyama period into the early Tokugawa years, centred on utensils for the tea gathering. Surfaces stay rough and the glazes are few, simple and warm in colour. Copper green covers only part of the pot, and the reserved body carries iron brushwork.","cues":["Copper green covers only one side of the pot and stops at a visible line","The unglazed reserve carries brushed iron lines and geometric motifs","The surface stays rough and never reaches the smoothness of porcelain","Few colours are in play: the green glaze, the warm grey white body and the brown black of iron"],"works":["Designing a vessel or a package where the composition turns on colour covering only half the surface","Building product photography or graphics that show handmade unevenness instead of industrial uniformity"],"recipe":{"type":"Write text with a brush and let stroke weight vary. Labels and names follow the same hand as the iron painting on the pot.","layout":"Split the field along the glaze line, giving one side to flat colour and the other to reserve and motif. Never draw that line with a straight edge.","material":"Lead with copper green, support it with the warm grey white of the body and the brown black of iron. Leave grain and brush marks rather than polishing the surface flat."},"avoid":"Adding distortion and irregularity on purpose makes the effort visible and drains the calm of a pot that was made to be used.","study":["what the Seto and Mino kilns were firing in the Momoyama period","how a copper bearing glaze develops green in firing","the difference between forms demanded for the tea gathering and vessels made to be looked at"]}}