{"id":"new-vision-photography","no":109,"name":"New Vision Photography","ja":"ニュー・ヴィジョン写真","era":"1920s–1930s","family":"近代写真","kind":"スタイル","collection":"Dictionary expansion 05","addedAt":"2026-08-17","source":{"title":"MoMA — Object:Photo, The Project","url":"https://www.moma.org/interactives/objectphoto/the_project.html"},"reference":{"status":"verified","pageUrl":"https://www.moma.org/interactives/objectphoto/the_project.html","credit":"MoMA — Object:Photo, The Project","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/MOHOLY%20NAGY%2001%20479%20KT.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:MOHOLY%20NAGY%2001%20479%20KT.jpg","credit":"モホリ＝ナジのフォトグラム"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/L%C3%A1szl%C3%B3%20Moholy-Nagy%20Berliner%20Funkturm%20Staircase.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:L%C3%A1szl%C3%B3%20Moholy-Nagy%20Berliner%20Funkturm%20Staircase.jpg","credit":"モホリ＝ナジ ベルリン電波塔の階段 1928頃"}]},"essence":"俯瞰・仰角・極端な接写・光の実験によって、カメラにしかできない新しい知覚を探る。","cues":["急角度","接写","強い光と影","抽象化"],"intents":["技術","未来","高揚"],"works":["歴史的な作例と成立条件を比較する","現代の媒体へ移す際に残す原理を見極める"],"recipe":{"type":"参照作品の文字と画面構成を観察する","layout":"視線を導く主要原理を一つ抽出する","material":"技法固有の素材・工程・支持体を確認する"},"avoid":"見た目の記号だけでなく、成立した媒体・技法・社会的文脈まで確認する。","colors":["#e5e3dc","#8b8f92","#151719"],"motif":"photo","pair":["bauhaus","photogram"],"study":["László Moholy-Nagy","Film und Foto 1929","Thomas Walther Collection"],"en":{"essence":"Explores perception only the camera can reach — bird's-eye and worm's-eye views, extreme close-ups, experiments in light.","cues":["Steep angles","Close-up","Hard light and shadow","Abstraction"],"works":["Comparing historical works and their conditions","Deciding which principles survive translation to today's media"],"recipe":{"type":"Observe the type and composition of reference works","layout":"Extract the one principle that steers the eye","material":"Verify the technique's own materials, process and support"},"avoid":"Check not only the look but the medium, technique and social context in which it formed.","study":["László Moholy-Nagy","Film und Foto 1929","Thomas Walther Collection"]}}