{"id":"new-topographics","no":135,"name":"New Topographics","ja":"ニュー・トポグラフィックス","era":"1975–","family":"写真運動","kind":"スタイル","collection":"Dictionary expansion 06","addedAt":"2026-08-17","source":{"title":"SFMOMA — New Topographics","url":"https://www.sfmoma.org/exhibition/new-topographics/"},"reference":{"status":"verified","pageUrl":"https://www.sfmoma.org/exhibition/new-topographics/","credit":"SFMOMA — New Topographics","gallery":[{"imageUrl":"https://live.staticflickr.com/5099/5443676296_e132b44e2e_b.jpg","pageUrl":"https://www.flickr.com/photos/92357396@N00/5443676296","credit":"『New Topographics』展カタログ 撮影: PHOTO/arts Magazine（CC BY 2.0）"},{"imageUrl":"/quotes/new-topographics.jpg","pageUrl":"https://www.sfmoma.org/exhibition/new-topographics/","credit":"「New Topographics」展の図版（SFMOMAより引用）"}]},"essence":"壮大な自然景観の代わりに、郊外、造成地、工業地帯など人間が改変した風景を冷静に記録する。","cues":["無人の郊外","正面性","乾いた色","人為的な景観"],"intents":["静けさ","反骨","信頼"],"works":["一次資料と代表作から成立条件を比較する","別媒体へ応用できる構成原理を取り出す"],"recipe":{"type":"参照作品の文字・記号・スケールを観察する","layout":"空間と視線を支配する構造を一つ抽出する","material":"地域・時代・制作工程に固有の素材を確認する"},"avoid":"表面的な記号へ還元せず、地域・政治・技術・制作主体の文脈を確認する。","colors":["#d8d4c8","#8b897b","#4c4a44"],"motif":"photo","pair":["new-objectivity-photography","street-photography"],"study":["Robert Adams","Lewis Baltz","Bernd and Hilla Becher"],"en":{"essence":"Records, coolly, the landscapes humans have altered — suburbs, tract sites, industrial parks — instead of grand nature.","cues":["Empty suburbs","Frontality","Dry color","Man-altered landscape"],"works":["Comparing primary sources and canonical works","Extracting principles that transfer to other media"],"recipe":{"type":"Observe the letters, signs and scale of reference works","layout":"Extract the one structure that governs space and gaze","material":"Verify materials specific to region, period and process"},"avoid":"Don't reduce it to surface signs. Verify the context of region, politics, technology and makers.","study":["Robert Adams","Lewis Baltz","Bernd and Hilla Becher"]}}