{"id":"new-stagecraft","no":246,"name":"New Stagecraft","ja":"新舞台芸術","era":"1890s–1930s","family":"舞台美術","kind":"スタイル","collection":"Dictionary expansion 13","addedAt":"2026-08-18","source":{"title":"Theatre and Performance Design — Adolphe Appia and the first scenographic turn","url":"https://www.tandfonline.com/doi/full/10.1080/23322551.2015.1024975"},"reference":{"status":"verified","pageUrl":"https://www.tandfonline.com/doi/full/10.1080/23322551.2015.1024975","credit":"Theatre and Performance Design — Adolphe Appia and the first scenographic turn","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Adolphe%20Appia%20Klein%20Eyolf%20Ibsen%20II%20Akt%20Nyon%2C%20A%20Appia.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Adolphe%20Appia%20Klein%20Eyolf%20Ibsen%20II%20Akt%20Nyon%2C%20A%20Appia.jpg","credit":"アッピアの舞台デザイン『小さなエイヨルフ』 — Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Adolphe%20Appia%2C%201892%20Wallk%C3%BCre%20Richard%20Wagner%20Nyon%2C%20A%20Appia.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Adolphe%20Appia%2C%201892%20Wallk%C3%BCre%20Richard%20Wagner%20Nyon%2C%20A%20Appia.jpg","credit":"Adolphe Appia《ワルキューレ》舞台デザイン 1892 — Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Copeau%20La%20Carosse.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Copeau%20La%20Carosse.jpg","credit":"Jacques Copeau の舞台《La Carosse》— Wikimedia Commons / Public domain"}]},"essence":"描き割りの写実を捨て、光・段差・単純な立体で音楽と身体の空間をつくる舞台改革。アッピアの「生きた光」とクレイグの動く衝立が、照明デザインという職能そのものを生んだ。","cues":["光による造形","段差と斜路の抽象空間","描き割りの排除","単純な立体の構成"],"intents":["静けさ","高揚","未来"],"works":["音楽劇やオペラで、光と段差だけで場面を転換する舞台の設計","抽象空間に演者を立たせる小劇場やコンサートの照明計画"],"recipe":{"type":"文字要素は最小にし、投影する字幕も光の階調に従属させる","layout":"水平の段と斜路で床を彫り、垂直に吊った面で奥行きを切る","material":"無地の面と幕を灰の質感でそろえ、色は光だけで動かす"},"avoid":"光を当てれば抽象になると考えると、段差の高さと演者の動線が決まらず、ただ薄暗いだけの舞台になる。","colors":["#dacfbc","#8b7d70","#483b36"],"motif":"display","pair":["bauhaus-stage","german-expressionism-film"],"study":["アドルフ・アッピア","ゴードン・クレイグ","ロバート・エドモンド・ジョーンズ"],"en":{"essence":"The stage reform that dropped painted realism for light, levels and simple volumes shaping space for music and the body. Appia's living light and Craig's moving screens created the very profession of lighting design.","cues":["Form made by light","Abstract space of steps and ramps","Painted flats banished","Compositions of simple volumes"],"works":["Opera and music theatre where light and levels alone change the scene","Lighting plans that stand performers in abstract space for small houses"],"recipe":{"type":"Keep lettering minimal and let projected titles follow the light values","layout":"Carve the floor with steps and ramps, cut depth with hanging planes","material":"Plain grey surfaces and drapes, with color carried only by light"},"avoid":"Assuming that light alone makes abstraction leaves the step heights and the performer's paths undecided, and the stage becomes merely a dim room.","study":["Adolphe Appia","Edward Gordon Craig","Robert Edmond Jones"]},"links":{"page":"https://indexstyle.org/styles/new-stagecraft","json":"https://indexstyle.org/api/styles/new-stagecraft","designSpec":"https://indexstyle.org/styles/new-stagecraft/design.md","imagePrompt":"https://indexstyle.org/styles/new-stagecraft/prompt.txt"},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}