{"id":"new-look","no":185,"name":"New Look","ja":"ニュールック","era":"1947–1950s","family":"ファッション史","kind":"スタイル","collection":"Dictionary expansion 09","addedAt":"2026-08-18","source":{"title":"V&A — Christian Dior: Designer of Dreams","url":"https://www.vam.ac.uk/exhibitions/dior-designer-of-dreams"},"reference":{"status":"verified","pageUrl":"https://www.vam.ac.uk/exhibitions/dior-designer-of-dreams","credit":"V&A — Christian Dior: Designer of Dreams","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Christian%20Dior%20(Moscow%20exhibition%2C%202011)%2026.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Christian%20Dior%20(Moscow%20exhibition%2C%202011)%2026.jpg","credit":"ディオール展の展示 （CC BY-SA 3.0）"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Christian%20Dior%20(Moscow%20exhibition%2C%202011)%209.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Christian%20Dior%20(Moscow%20exhibition%2C%202011)%209.jpg","credit":"ディオールのドレス （CC BY-SA 3.0）"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Taffeta%20cocktail%20dress%20by%20Yves%20Saint%20Laurent%20for%20Christian%20Dior%2C%20Fall-Winter%201959-60.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Taffeta%20cocktail%20dress%20by%20Yves%20Saint%20Laurent%20for%20Christian%20Dior%2C%20Fall-Winter%201959-60.jpg","credit":"ディオールのカクテルドレス 1959–60（CC BY 2.0）"}]},"essence":"絞ったウエストと大量の布を使う長い裾で戦時の実用服から一転した曲線を復活させ、戦後のオートクチュールの黄金期を開いた。","cues":["砂時計のシルエット","たっぷりの布量","丸い肩線","格式の復権"],"intents":["高級","静けさ","懐かしさ"],"works":["一次資料と代表例から成立条件を比較する","服飾以外の媒体へ応用できる構成原理を取り出す"],"recipe":{"type":"参照される時代・共同体の文字と記号を観察する","layout":"シルエットと比率を画面構成へ翻訳する","material":"布地・仕立て・着る人の身体という素材条件を確認する"},"avoid":"衣服の記号だけを剥がして使わない。誰が・なぜ・何に抗して着たかという文脈を確認する。","colors":["#eae6de","#6b655c","#1a1815"],"motif":"fashion","pair":["luxury-minimal","space-age-fashion"],"study":["Christian Dior, Bar Suit 1947","戦後の布地解禁","ニュールックへの抗議運動"],"en":{"essence":"Revived the curve against wartime utility — cinched waists and long, fabric-rich skirts — opening the golden age of postwar couture.","cues":["Hourglass silhouettes","Abundant fabric","Rounded shoulders","Formality restored"],"works":["Comparing primary sources and exemplary cases","Extracting principles that transfer beyond dress"],"recipe":{"type":"Observe the letters and signs of the era and community referred to","layout":"Translate silhouette and proportion into composition","material":"Verify the material conditions: cloth, tailoring, the wearer's body"},"avoid":"Never peel off the garment's signs alone. Verify who wore it, why, and against what.","study":["Christian Dior, the Bar Suit, 1947","the end of fabric rationing","the protests against the New Look"]}}