{"id":"new-color","no":381,"name":"New Color Photography","ja":"ニューカラー","era":"1976–","family":"写真運動","kind":"スタイル","collection":"Dictionary expansion 19","addedAt":"2026-08-18","source":{"title":"MoMA — William Eggleston","url":"https://www.moma.org/artists/1656"},"reference":{"status":"verified","pageUrl":"https://www.moma.org/artists/1656","credit":"MoMA — William Eggleston"},"essence":"エグルストンのMoMA個展が公認した、日常をカラーで撮る芸術写真。ダイトランスファーの濃密な色が平凡な光景に威厳を与え、「カラーは俗」という序列を覆した。","cues":["日常の無名の光景","ダイトランスファーの飽和","斜めの何気ない構図","赤の強度"],"intents":["親密","静けさ","反骨"],"works":["一次資料と代表作から成立条件を比較する","別媒体へ応用できる構成原理を取り出す"],"recipe":{"type":"参照作品の文字・記号・スケールを観察する","layout":"視線と情報を支配する構造を一つ抽出する","material":"時代・地域・制作工程に固有の素材と挙動を確認する"},"avoid":"表面的な記号へ還元せず、時代・地域・技術・制作主体の文脈を確認する。","colors":["#e9e6dd","#67635d","#171615"],"motif":"photo","pair":["new-topographics","snapshot-aesthetic"],"study":["エグルストン『Guide』","スティーブン・ショア","ジョエル・マイエロヴィッツ"],"en":{"essence":"The art photography of the everyday in color, legitimized by Eggleston's MoMA show. Dye-transfer density gave banal scenes gravity and overturned the rule that color was vulgar.","cues":["Nameless everyday scenes","Dye-transfer saturation","Casual oblique composition","The intensity of red"],"works":["Comparing primary sources and canonical works","Extracting principles that transfer to other media"],"recipe":{"type":"Observe the letters, signs and scale of reference works","layout":"Extract the one structure that governs gaze and information","material":"Verify the materials and behaviors specific to era, region and process"},"avoid":"Don't reduce it to surface signs. Verify the context of era, region, technology and makers.","study":["Eggleston's Guide","Stephen Shore","Joel Meyerowitz"]}}