{"id":"neoclassicism","no":494,"name":"Neoclassicism","ja":"新古典主義","era":"1760s–1830s","family":"歴史様式","kind":"スタイル","collection":"Dictionary expansion 25","addedAt":"2026-08-19","source":{"title":"Tate — Art Terms: Neoclassicism","url":"https://www.tate.org.uk/art/art-terms/n/neoclassicism"},"reference":{"status":"verified","pageUrl":"https://www.tate.org.uk/art/art-terms/n/neoclassicism","credit":"Tate — Art Terms: Neoclassicism","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Jacques-Louis%20David%20-%20Oath%20of%20the%20Horatii.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Jacques-Louis%20David%20-%20Oath%20of%20the%20Horatii.jpg","credit":"ジャック＝ルイ・ダヴィッド《ホラティウス兄弟の誓い》1784 — Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Antonio%20Canova%20-%20Psyche%20revived%20by%20the%20kiss%20of%20Love%2C%20Marble%2C%201793.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Antonio%20Canova%20-%20Psyche%20revived%20by%20the%20kiss%20of%20Love%2C%20Marble%2C%201793.jpg","credit":"アントニオ・カノーヴァ《アモルの接吻で蘇るプシュケ》1793 大理石 — Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Paris%20%C3%89glise%20de%20la%20Madeleine%20facade%2001a%20frontal.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Paris%20%C3%89glise%20de%20la%20Madeleine%20facade%2001a%20frontal.jpg","credit":"パリ マドレーヌ寺院 1807年着工 正面 — Wikimedia Commons / CC BY-SA 3.0"}]},"essence":"ロココの装飾過多への反動として、ポンペイ発掘に触発され古代の簡素さへ戻った運動。輪郭は硬く、色は抑えられ、主題は市民の徳を説く。革命期の国家がこの様式を自らの顔に選んだ。","cues":["硬く明快な輪郭線","抑制された色数","古代の主題と衣装","浅い舞台のような空間"],"intents":["信頼","高級","静けさ"],"works":["公共性と規律を、装飾を削って示す","歴史的な正統性を借りたい場面をつくる"],"recipe":{"type":"碑文体の大文字、字間を広く取る","layout":"水平を強く効かせ、要素を左右対称に置く","material":"石と漆喰の白、金は要所に限る"},"avoid":"簡素さを退屈と取り違えない。輪郭の硬さと構図の緊張が同時に要る。","colors":["#e9e6dd","#67635d","#171615"],"motif":"graphic","pair":["renaissance","stripped-classicism"],"study":["ヘルクラネウム・ポンペイの発掘","ヴィンケルマンの古代美術史","革命期フランスにおける国家様式化"],"en":{"essence":"A movement that turned back to ancient simplicity, prompted by the excavations at Pompeii and reacting against the decorative excess of Rococo. Contours are hard, color is held down, and the subjects preach civic virtue. States of the revolutionary period chose this style as their own face.","cues":["Hard, clear contour lines","A restrained number of colors","Ancient subjects and dress","Shallow, stage like space"],"works":["Showing public purpose and discipline by cutting ornament away","Making a scene that borrows historical legitimacy"],"recipe":{"type":"Inscriptional capitals, letterspaced wide.","layout":"Let the horizontal work hard and place elements symmetrically.","material":"The white of stone and plaster, with gold kept to key points."},"avoid":"Do not mistake simplicity for dullness. Hard contour and tense composition are both required at once.","study":["The excavations at Herculaneum and Pompeii","Winckelmann's history of ancient art","Its adoption as a state style in revolutionary France"]}}