{"id":"neo-geo","no":476,"name":"Neo-Geo","ja":"ネオ・ジオ","era":"1984–1992","family":"幾何学抽象","kind":"スタイル","collection":"Dictionary expansion 23","addedAt":"2026-08-18","source":{"title":"Tate — Art Terms: Neo-Geo","url":"https://www.tate.org.uk/art/art-terms/n/neo-geo"},"reference":{"status":"verified","pageUrl":"https://www.tate.org.uk/art/art-terms/n/neo-geo","credit":"Tate — Art Terms: Neo-Geo","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/GaleriaSenda%20Peter%20Halley.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:GaleriaSenda%20Peter%20Halley.jpg","credit":"Peter Halley 展示風景（Galería Senda）— Wikimedia Commons / CC BY-SA 4.0"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/PeterHalley1.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:PeterHalley1.jpg","credit":"Peter Halley — Wikimedia Commons / CC0"}]},"essence":"幾何学抽象とミニマルの語彙を、商品社会の記号として引用し直した1980年代ニューヨークの潮流。工業塗料の平滑な面、蛍光色、既製品の光沢が、抽象の純粋さを消費のイメージへ横滑りさせる。批評としての幾何学。","cues":["工業塗料の平滑な面","蛍光と人工的な色","既製品の光沢と質感","模式図のような構成"],"intents":["反骨","未来","高級"],"works":["一次資料と代表作から成立条件を比較する","別媒体へ応用できる構成原理を取り出す"],"recipe":{"type":"参照作品の文字・記号・スケールを観察する","layout":"視線と情報を支配する構造を一つ抽出する","material":"時代・地域・制作工程に固有の素材と挙動を確認する"},"avoid":"表面的な記号へ還元せず、時代・地域・技術・制作主体の文脈を確認する。","colors":["#e9e6dd","#67635d","#171615"],"motif":"graphic","pair":["op-art","memphis"],"study":["1986年ニューヨークの展覧会群","シミュレーション理論との接続","抽象の引用という態度"],"en":{"essence":"A 1980s New York current that re-quoted the vocabulary of geometric abstraction and Minimalism as signs of the commodity society. Smooth industrial paint, fluorescent colour and the gloss of ready-made goods slide abstraction's purity sideways into the imagery of consumption. Geometry as critique.","cues":["Smooth surfaces of industrial paint","Fluorescent, artificial colour","The gloss and finish of ready-made goods","Compositions like schematic diagrams"],"works":["Ironic tech or retail branding that quotes hard-edge abstraction with a wink","Gallery-adjacent product design where geometry doubles as commentary on consumption"],"recipe":{"type":"Cold, engineered geometric sans, spaced like a diagram label","layout":"Diagrammatic panels and hard-edged cells; composition mimics circuit boards and signage","material":"Fluorescent and synthetic hues in enamel-smooth industrial finishes"},"avoid":"Avoid sincere formalism—without the quotation marks around its geometry, Neo-Geo becomes exactly the tasteful abstraction it set out to critique.","study":["The 1986 New York exhibitions","The connection with simulation theory","The stance of quoting abstraction"]}}