{"id":"neo-expressionism","no":475,"name":"Neo-Expressionism","ja":"新表現主義","era":"1978–1990","family":"抽象表現","kind":"スタイル","collection":"Dictionary expansion 23","addedAt":"2026-08-18","source":{"title":"Tate — Art Terms: Neo-Expressionism","url":"https://www.tate.org.uk/art/art-terms/n/neo-expressionism"},"reference":{"status":"verified","pageUrl":"https://www.tate.org.uk/art/art-terms/n/neo-expressionism","credit":"Tate — Art Terms: Neo-Expressionism","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Georg%20Baselitz%2C%20Orangenesser%20II%2C%20Capturing%20The%20Moment%2C%20Tate%20Modern%2004.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Georg%20Baselitz%2C%20Orangenesser%20II%2C%20Capturing%20The%20Moment%2C%20Tate%20Modern%2004.jpg","credit":"Georg Baselitz《Orangenesser II》Tate Modern 展示風景 — Wikimedia Commons / CC BY-SA 4.0"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Baselitz%20BDM%20Gruppe%202012%20001.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Baselitz%20BDM%20Gruppe%202012%20001.jpg","credit":"Georg Baselitz《BDM Gruppe》2012 — Wikimedia Commons / CC BY-SA 4.0"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Anselm%20Kiefer%2C%20SFMOMA%2007.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Anselm%20Kiefer%2C%20SFMOMA%2007.jpg","credit":"Anselm Kiefer 作品（SFMOMA 展示）— Wikimedia Commons / CC BY-SA 4.0"}]},"essence":"ミニマルとコンセプチュアルの禁欲への反動として、大画面・激しい筆致・歴史と神話の主題が戻ってきた国際的潮流。荒い描線と汚しの層は、1980年代のレコードジャケットや雑誌の版面の温度にも直結している。","cues":["大画面と粗い筆致","神話と歴史の主題","濁色と黒の多用","素材の混入と厚み"],"intents":["高揚","懐かしさ","反骨"],"works":["一次資料と代表作から成立条件を比較する","別媒体へ応用できる構成原理を取り出す"],"recipe":{"type":"参照作品の文字・記号・スケールを観察する","layout":"視線と情報を支配する構造を一つ抽出する","material":"時代・地域・制作工程に固有の素材と挙動を確認する"},"avoid":"表面的な記号へ還元せず、時代・地域・技術・制作主体の文脈を確認する。","colors":["#e9e6dd","#67635d","#171615"],"motif":"graphic","pair":["expressionism","lowbrow"],"study":["ドイツ・イタリア・アメリカの差","市場との関係","1980年代グラフィックへの波及"],"en":{"essence":"An international current in which large formats, violent brushwork and subjects from history and myth returned, in reaction against the asceticism of Minimal and Conceptual art. Its raw draughtsmanship and layers of grime feed directly into the temperature of 1980s record sleeves and magazine layouts.","cues":["Large formats and coarse brushwork","Subjects from myth and history","Heavy use of muddied colour and black","Mixed-in materials and physical thickness"],"works":["Record sleeves and gig posters that need heat, mess and myth","Fashion and editorial imagery trading polish for raw painterly attack"],"recipe":{"type":"Scrawled, hand-painted headlines; letterforms attacked rather than set","layout":"Oversized central figures crowding the frame; layers colliding without hierarchy","material":"Muddied colour, black, and matter mixed into the paint—straw, sand, collage"},"avoid":"Avoid controlled, tasteful roughness—the style demands real excess, and a tidied version reads as a costume of rebellion.","study":["The differences between the German, Italian and American strands","The relationship with the art market","The spread into 1980s graphics"]}}