{"id":"neo-dada","no":486,"name":"Neo-Dada","ja":"ネオ・ダダ","era":"1953–1965","family":"戦後アメリカ美術","kind":"スタイル","collection":"Dictionary expansion 24","addedAt":"2026-08-18","source":{"title":"Tate — Art Terms: Neo-Dada","url":"https://www.tate.org.uk/art/art-terms/n/neo-dada"},"reference":{"status":"verified","pageUrl":"https://www.tate.org.uk/art/art-terms/n/neo-dada","credit":"Tate — Art Terms: Neo-Dada"},"essence":"抽象表現主義の内面性に対し、日用品・印刷物・剥製を画面へ持ち込み、芸術と生活の隙間で作ろうとした戦後の潮流。ダダの手つきを引き継ぎながら、消費社会の素材そのものを構成材にした。ポップ・アートの直前の分岐点。","cues":["既製品の画面への持ち込み","印刷物のシルクスクリーン転写","絵画と立体の中間形態","消し・重ね・汚しの痕跡"],"intents":["反骨","遊び","技術"],"works":["一次資料と代表作から成立条件を比較する","別媒体へ応用できる構成原理を取り出す"],"recipe":{"type":"参照作品の文字・記号・スケールを観察する","layout":"視線と情報を支配する構造を一つ抽出する","material":"時代・地域・制作工程に固有の素材と挙動を確認する"},"avoid":"表面的な記号へ還元せず、時代・地域・技術・制作主体の文脈を確認する。","colors":["#e9e6dd","#67635d","#171615"],"motif":"graphic","pair":["dada","pop-art"],"study":["コンバイン絵画の定義","日本のネオ・ダダイズム・オルガナイザーズ","フルクサスとの近接"],"en":{"essence":"A postwar current that answered the inwardness of Abstract Expressionism by bringing household objects, printed matter and taxidermy onto the picture, working in the gap between art and life. It inherited Dada's gestures while making the materials of consumer society into structural components. The branching point immediately before Pop art.","cues":["Ready-made objects brought onto the picture","Printed matter transferred by silkscreen","Forms halfway between painting and object","Traces of erasing, layering and soiling"],"works":["Record sleeves, zines and event graphics that need to look assembled out of the world rather than designed from nothing","Campaigns built from found print, where the receipts, newsprint and packaging keep their own history as part of the message"],"recipe":{"type":"Mixed sizes and mixed faces from whatever was to hand, some stencilled, some torn out of existing print.","layout":"No grid: a horizontal collage in which one three-dimensional object breaks the picture plane and pulls the eye off axis.","material":"Silkscreened newsprint over smeared paint, registration deliberately out, erasures left visible."},"avoid":"Arranging the found material tidily: Neo-Dada depends on objects keeping their own dirt and their own scale, and a neat collage of clean assets is only decoration.","study":["The definition of the Combine painting","Japan's Neo-Dadaism Organizers","Its proximity to Fluxus"]}}