{"id":"neo-concrete-art","no":128,"name":"Neo-Concrete Art","ja":"ネオ・コンクリート・アート","era":"1959–1966","family":"ブラジル前衛芸術","kind":"スタイル","collection":"Dictionary expansion 07","addedAt":"2026-08-18","source":{"title":"MoMA — Neo-concrete Art","url":"https://www.moma.org/collection/terms/neo-concrete-art"},"reference":{"status":"verified","pageUrl":"https://www.moma.org/collection/terms/neo-concrete-art","credit":"MoMA — Neo-concrete Art","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/O%20Bicho%20Linear%20-%20Lygia%20Clark.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:O%20Bicho%20Linear%20-%20Lygia%20Clark.jpg","credit":"リジア・クラーク『ビーショ』（CC BY-SA 4.0）"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/H%C3%A9lio%20Oiticica%20(36773193924).jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:H%C3%A9lio%20Oiticica%20(36773193924).jpg","credit":"オイチシカの展示（CC BY 2.0）"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Am%C3%ADlcar%20de%20Castro%2C%20MAC-USP.JPG?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Am%C3%ADlcar%20de%20Castro%2C%20MAC-USP.JPG","credit":"アミルカル・デ・カストロの彫刻 サンパウロ大学現代美術館 — Wikimedia Commons / CC BY 3.0"}]},"essence":"幾何学抽象を固定された視覚秩序から解放し、触れる、動かす、入るといった身体参加によって作品を変化する経験へ開く。","cues":["可動する幾何学","身体参加","折りと蝶番","感覚的な色と空間"],"intents":["遊び","高揚","親密"],"works":["来場者が触って動かす、体験型の展示や子ども向けの造形教材","折りや蝶番で形が変わる、手に取る印刷物や立体の招待状"],"recipe":{"type":"文字を面の一部として折り目にかけ、開くと読める配置にする","layout":"完成形を一つに決めず、開閉や反転で成立する状態を複数持つ","material":"薄い金属板や厚紙に蝶番を仕込み、手の重さで動く精度に合わせる"},"avoid":"ブラジル版の幾何学抽象と一括りにせず、客観主義への反発と観客の身体による変形を中心に読む。可動部が壊れそうなら誰も触らず、参加の作品が飾りに終わる。","colors":["#ece5ce","#d95b37","#315f86"],"motif":"geometry","pair":["de-stijl","tropicalia"],"study":["Lygia Clark","Hélio Oiticica","Lygia Pape","Manifesto Neoconcreto"],"en":{"essence":"Releases geometric abstraction from a fixed visual order and opens the work to touching, moving and entering, so that it becomes an experience that changes as the body takes part.","cues":["Movable geometry","Bodily participation","Folds and hinges","Sensuous color and space"],"works":["Interactive exhibits and teaching objects that visitors are meant to open and move","Printed pieces and invitations that change shape through folds and hinges"],"recipe":{"type":"Run type across the fold so it resolves only when opened","layout":"Design several valid states rather than one, reached by opening or turning","material":"Thin metal or board with hinges tuned to move under the hand's weight"},"avoid":"Read it through the revolt against objectivism and the transformation the viewer's body performs, not as Brazilian geometric abstraction, and note that fragile moving parts go untouched and leave only ornament.","study":["Lygia Clark","Hélio Oiticica","Lygia Pape","Manifesto Neoconcreto"]},"links":{"page":"https://indexstyle.org/styles/neo-concrete-art","json":"https://indexstyle.org/api/styles/neo-concrete-art","designSpec":"https://indexstyle.org/styles/neo-concrete-art/design.md","imagePrompt":"https://indexstyle.org/styles/neo-concrete-art/prompt.txt"},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}