{"id":"neo-concrete-art","no":152,"name":"Neo-Concrete Art","ja":"ネオ・コンクリート・アート","era":"1959–1966","family":"ブラジル前衛芸術","kind":"スタイル","collection":"Dictionary expansion 07","addedAt":"2026-08-18","source":{"title":"MoMA — Neo-concrete Art","url":"https://www.moma.org/collection/terms/neo-concrete-art"},"reference":{"status":"verified","pageUrl":"https://www.moma.org/collection/terms/neo-concrete-art","credit":"MoMA — Neo-concrete Art","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/O%20Bicho%20Linear%20-%20Lygia%20Clark.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:O%20Bicho%20Linear%20-%20Lygia%20Clark.jpg","credit":"リジア・クラーク『ビーショ』（CC BY-SA 4.0）"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/H%C3%A9lio%20Oiticica%20(1966).tif?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:H%C3%A9lio%20Oiticica%20(1966).tif","credit":"エリオ・オイチシカ 1966"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/H%C3%A9lio%20Oiticica%20(36773193924).jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:H%C3%A9lio%20Oiticica%20(36773193924).jpg","credit":"オイチシカの展示（CC BY 2.0）"}]},"essence":"幾何学抽象を固定された視覚秩序から解放し、触れる、動かす、入るといった身体参加によって作品を変化する経験へ開く。","cues":["可動する幾何学","身体参加","折りと蝶番","感覚的な色と空間"],"intents":["遊び","高揚","親密"],"works":["一次資料と代表作から成立条件を比較する","別媒体へ応用できる構成原理を取り出す"],"recipe":{"type":"参照作品の文字・記号・スケールを観察する","layout":"視線と情報を支配する構造を一つ抽出する","material":"時代・地域・制作工程に固有の素材と挙動を確認する"},"avoid":"ブラジル版の幾何学抽象として一括りにせず、客観主義への反発と観客の身体による変形を中心に読む。","colors":["#ece5ce","#d95b37","#315f86"],"motif":"geometry","pair":["de-stijl","tropicalia"],"study":["Lygia Clark","Hélio Oiticica","Lygia Pape","Manifesto Neoconcreto"],"en":{"essence":"Frees geometric abstraction from fixed visual order, opening the work to change through bodily participation — touching, moving, entering.","cues":["Movable geometry","Bodily participation","Folds and hinges","Sensuous color and space"],"works":["Comparing primary sources and canonical works","Extracting principles that transfer to other media"],"recipe":{"type":"Observe the letters, signs and scale of reference works","layout":"Extract the one structure that governs gaze and information","material":"Verify the materials and behaviors specific to era, region and process"},"avoid":"Not just 'Brazilian geometric abstraction.' Read the revolt against objectivism and transformation by the viewer's body.","study":["Lygia Clark","Hélio Oiticica","Lygia Pape","Manifesto Neoconcreto"]}}