{"id":"mono-ha","no":699,"name":"Mono-ha","ja":"もの派","era":"late 1960s–1970s","family":"近現代美術運動","kind":"スタイル","essence":"石、木、ガラス、鉄板、綿などを加工しすぎず出会わせ、物と空間、支持、重力の関係を露出させた日本の美術動向。形を作り込むのでなく、置く、立て掛ける、割れる、沈むという関係そのものを見せる。","cues":["自然物と工業素材を一対または少数で置く","切断、支持、圧力、重力が見える配置","台座を弱め、床や壁との接触を作品化する","加工を抑えた石、鉄、木、ガラスの表面"],"intents":["静けさ","技術","反骨"],"pair":["arte-povera","earthwork"],"study":["Lee Ufan and Sekine Nobuo","Phase—Mother Earth and Relatum","encounter, place and material relation"],"works":["素材の象徴より、接触、支持、重さを空間で読ませる展示","建築やプロダクトで、自然物と工業材の境界を加工せず見せるとき"],"recipe":{"type":"説明は壁際へ離し、物の関係を命名する短い語だけを使う。","layout":"二つの素材の距離、接点、重心を決め、周囲に一周できる余白を確保する。","material":"石、鉄板、木、綿、ガラスを表面処理しすぎず使い、荷重と破損の安全だけを裏で設計する。"},"avoid":"石を置けばもの派になるわけではない。素材間と場所との関係を一文で説明できなければ、単なるディスプレイになる。","colors":["#B5B0A4","#5D6260","#2A2926"],"motif":"material","collection":"Dictionary expansion 40","addedAt":"2026-08-23","source":{"title":"Guggenheim — Lee Ufan: Marking Infinity / Relatum","url":"https://web.guggenheim.org/exhibitions/leeufan/series/"},"reference":{"status":"verified","pageUrl":"https://web.guggenheim.org/exhibitions/leeufan/series/","credit":"Guggenheim — Lee Ufan: Marking Infinity / Relatum"},"en":{"essence":"A Japanese tendency that placed stone, wood, glass, steel, and cotton with minimal transformation to expose relations among things, site, support, fracture, and gravity rather than constructing a finished shape.","cues":["Natural and industrial matter placed in pairs or small groups","Visible cutting, support, pressure, and gravity","Floor and wall contact replacing a strong pedestal","Largely unprocessed stone, steel, wood, cotton, and glass"],"works":["Making contact, support, and weight legible instead of using material as a symbol","Letting architecture or product displays hold the boundary between natural and industrial matter"],"recipe":{"type":"Move explanation to the wall and name only the material relation.","layout":"Set distance, contact, and center of mass between two materials and keep walk-around space.","material":"Use stone, steel plate, wood, cotton, or glass without cosmetic finishing, concealing only the safety engineering."},"avoid":"Placing a stone is not enough. If the relation among material, placement, and site cannot be stated, it becomes display rather than Mono-ha.","study":["Lee Ufan and Sekine Nobuo","Phase—Mother Earth and Relatum","encounter, place and material relation"]},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}