{"id":"mingei","no":269,"name":"Mingei","ja":"民藝","era":"1926–","family":"工芸運動","kind":"スタイル","collection":"Dictionary expansion 15","addedAt":"2026-08-18","source":{"title":"日本民藝館","url":"https://mingeikan.or.jp/?lang=en"},"reference":{"status":"verified","pageUrl":"https://mingeikan.or.jp/?lang=en","credit":"日本民藝館","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Bowl%2C%201922-23%2C%20by%20Hamada%20Shoji%2C%20V%26A%20London.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Bowl%2C%201922-23%2C%20by%20Hamada%20Shoji%2C%20V%26A%20London.jpg","credit":"濱田庄司の鉢 1922–23（CC0）"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Round%20lidded%20box%20by%20Kawai%20Kanjir%C5%8D%2C%20Honolulu%20Museum%20of%20Art.JPG?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Round%20lidded%20box%20by%20Kawai%20Kanjir%C5%8D%2C%20Honolulu%20Museum%20of%20Art.JPG","credit":"河井寛次郎の蓋物 — Wikimedia Commons / Public domain"}]},"essence":"柳宗悦らが名もなき職人の日用品に「用の美」を見出した運動。無名性・反復・実用から生まれる健やかな造形を美の基準に据え、日本のデザイン思想の基層になった。","cues":["無名の職人仕事","用に即した形","反復が生む安定","土地の材料と手癖"],"intents":["静けさ","親密","信頼"],"works":["日常的に使う器や道具の、手に馴染む形と手が届く価格を決める","産地と作り手を主語にする店舗づくりや、商品の見せ方の設計"],"recipe":{"type":"名入れは最小限にし、作り手ではなく用途が分かる表記を選ぶ","layout":"並べたときに揃う形を優先し、一点だけ目立つ造形を避ける","material":"土地で採れる材と定番の釉に絞り、同じ形を数多く作る"},"avoid":"作家性を押し出した途端に無名性という前提が崩れ、素朴さを演出しただけの高価な工芸品になる。","colors":["#dfcc9d","#a66b3b","#3e271d"],"motif":"world","pair":["arts-and-crafts","scandinavian-modern"],"study":["柳宗悦『工藝の道』","濱田庄司・河井寛次郎・バーナード・リーチ","民藝とモダンデザインの緊張"],"en":{"essence":"Yanagi Sōetsu and his circle found 'the beauty of use' in the everyday wares of unnamed craftsmen. By making anonymity, repetition and utility the measure of healthy form, the movement became the bedrock of Japanese design thought.","cues":["Anonymous craftsmanship","Form following use","The steadiness born of repetition","Local materials and hand habits"],"works":["Setting the form and the reachable price of everyday wares meant for daily use","Retail and presentation that make the maker and the region the subject"],"recipe":{"type":"Minimal marking, wording that states the use rather than the maker","layout":"Favor forms that line up together and avoid one piece standing out","material":"Local materials and standing glazes, the same form made many times"},"avoid":"The moment individual authorship is asserted the premise of anonymity collapses, and what remains is expensive craft merely performing plainness.","study":["Yanagi Sōetsu, The Way of Crafts","Hamada, Kawai and Bernard Leach","the tension between mingei and modern design"]},"links":{"page":"https://indexstyle.org/styles/mingei","json":"https://indexstyle.org/api/styles/mingei","designSpec":"https://indexstyle.org/styles/mingei/design.md","imagePrompt":"https://indexstyle.org/styles/mingei/prompt.txt"},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}