{"id":"mingei","no":299,"name":"Mingei","ja":"民藝","era":"1926–","family":"工芸運動","kind":"スタイル","collection":"Dictionary expansion 15","addedAt":"2026-08-18","source":{"title":"日本民藝館","url":"https://mingeikan.or.jp/?lang=en"},"reference":{"status":"verified","pageUrl":"https://mingeikan.or.jp/?lang=en","credit":"日本民藝館","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Bowl%2C%201922-23%2C%20by%20Hamada%20Shoji%2C%20V%26A%20London.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Bowl%2C%201922-23%2C%20by%20Hamada%20Shoji%2C%20V%26A%20London.jpg","credit":"濱田庄司の鉢 1922–23（CC0）"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Round%20lidded%20box%20by%20Kawai%20Kanjir%C5%8D%2C%20Honolulu%20Museum%20of%20Art.JPG?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Round%20lidded%20box%20by%20Kawai%20Kanjir%C5%8D%2C%20Honolulu%20Museum%20of%20Art.JPG","credit":"河井寛次郎の蓋物"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Mingeikan-1.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Mingeikan-1.jpg","credit":"日本民藝館（CC BY-SA 4.0）"}]},"essence":"柳宗悦らが名もなき職人の日用品に「用の美」を見出した運動。無名性・反復・実用から生まれる健やかな造形を美の基準に据え、日本のデザイン思想の基層になった。","cues":["無名の職人仕事","用に即した形","反復が生む安定","土地の材料と手癖"],"intents":["静けさ","親密","信頼"],"works":["一次資料と代表作から成立条件を比較する","別媒体へ応用できる構成原理を取り出す"],"recipe":{"type":"参照作品の文字・記号・スケールを観察する","layout":"視線と情報を支配する構造を一つ抽出する","material":"時代・地域・制作工程に固有の素材と挙動を確認する"},"avoid":"表面的な記号へ還元せず、時代・地域・技術・制作主体の文脈を確認する。","colors":["#e9e6dd","#67635d","#171615"],"motif":"world","pair":["arts-and-crafts","scandinavian-modern"],"study":["柳宗悦『工藝の道』","濱田庄司・河井寛次郎・バーナード・リーチ","民藝とモダンデザインの緊張"],"en":{"essence":"The movement in which Yanagi Sōetsu and his circle found 'the beauty of use' in the everyday wares of unnamed craftsmen — anonymity, repetition and utility as the measure of healthy form, the bedrock of Japanese design thought.","cues":["Anonymous craftsmanship","Form following use","The steadiness born of repetition","Local materials and hand habits"],"works":["Comparing primary sources and canonical works","Extracting principles that transfer to other media"],"recipe":{"type":"Observe the letters, signs and scale of reference works","layout":"Extract the one structure that governs gaze and information","material":"Verify the materials and behaviors specific to era, region and process"},"avoid":"Don't reduce it to surface signs. Verify the context of era, region, technology and makers.","study":["Yanagi Sōetsu, The Way of Crafts","Hamada, Kawai and Bernard Leach","the tension between mingei and modern design"]}}