{"id":"mezzotint","no":157,"name":"Mezzotint","ja":"メゾチント","era":"1640s–","family":"凹版印刷","kind":"技法","collection":"Dictionary expansion 07","addedAt":"2026-08-18","source":{"title":"MoMA — Mezzotint","url":"https://www.moma.org/collection/terms/mezzotint"},"reference":{"status":"verified","pageUrl":"https://www.moma.org/collection/terms/mezzotint","credit":"MoMA — Mezzotint","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/John%20Martin%20-%20The%20Opening%20of%20the%20Seventh%20Seal%20-%20B1978.43.931%20-%20Yale%20Center%20for%20British%20Art.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:John%20Martin%20-%20The%20Opening%20of%20the%20Seventh%20Seal%20-%20B1978.43.931%20-%20Yale%20Center%20for%20British%20Art.jpg","credit":"ジョン・マーティンのメゾチント"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Samuel%20William%20Reynolds%20-%20Portrait%20of%20Artists%20-%20B1977.14.12802%20-%20Yale%20Center%20for%20British%20Art.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Samuel%20William%20Reynolds%20-%20Portrait%20of%20Artists%20-%20B1977.14.12802%20-%20Yale%20Center%20for%20British%20Art.jpg","credit":"S・W・レノルズのメゾチント"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Portrait%20of%20Sir%20Joshua%20Reynolds%2C%20Knight%20(4674576).jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Portrait%20of%20Sir%20Joshua%20Reynolds%2C%20Knight%20(4674576).jpg","credit":"ジョシュア・レノルズ肖像のメゾチント"}]},"essence":"版全体を細かく荒らして深い黒をつくり、磨いて明部を起こすことで、線ではなく柔らかくビロード状の暗部から像を浮かべる。","cues":["ビロード状の黒","暗から明へ","柔らかな階調","面を磨く光"],"intents":["高級","静けさ","懐かしさ"],"works":["一次資料と代表作から成立条件を比較する","別媒体へ応用できる構成原理を取り出す"],"recipe":{"type":"参照作品の文字・記号・スケールを観察する","layout":"視線と情報を支配する構造を一つ抽出する","material":"時代・地域・制作工程に固有の素材と挙動を確認する"},"avoid":"黒いグラデーションの画像処理にせず、荒らした版から光を削り出す逆向きの制作工程を階調へ反映する。","colors":["#d7d2c9","#5e5d60","#151516"],"motif":"print","pair":["intaglio","new-objectivity-photography"],"study":["rocker","burnisher","tonal printmaking","dark manner"],"en":{"essence":"Roughens the whole plate to print deep black, then burnishes the lights back — the image rises from velvet darkness, not from lines.","cues":["Velvet blacks","From dark to light","Soft gradation","Burnished light"],"works":["Comparing primary sources and canonical works","Extracting principles that transfer to other media"],"recipe":{"type":"Observe the letters, signs and scale of reference works","layout":"Extract the one structure that governs gaze and information","material":"Verify the materials and behaviors specific to era, region and process"},"avoid":"Not a dark gradient effect. Reflect the inverted process — carving light out of a roughened plate — in the tonal design.","study":["rocker","burnisher","tonal printmaking","dark manner"]}}