{"id":"mezzotint","no":133,"name":"Mezzotint","ja":"メゾチント","era":"1640s–","family":"凹版印刷","kind":"技法","collection":"Dictionary expansion 07","addedAt":"2026-08-18","source":{"title":"MoMA — Mezzotint","url":"https://www.moma.org/collection/terms/mezzotint"},"reference":{"status":"verified","pageUrl":"https://www.moma.org/collection/terms/mezzotint","credit":"MoMA — Mezzotint","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/John%20Martin%20-%20The%20Opening%20of%20the%20Seventh%20Seal%20-%20B1978.43.931%20-%20Yale%20Center%20for%20British%20Art.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:John%20Martin%20-%20The%20Opening%20of%20the%20Seventh%20Seal%20-%20B1978.43.931%20-%20Yale%20Center%20for%20British%20Art.jpg","credit":"ジョン・マーティンのメゾチント — Wikimedia Commons / CC0"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Samuel%20William%20Reynolds%20-%20Portrait%20of%20Artists%20-%20B1977.14.12802%20-%20Yale%20Center%20for%20British%20Art.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Samuel%20William%20Reynolds%20-%20Portrait%20of%20Artists%20-%20B1977.14.12802%20-%20Yale%20Center%20for%20British%20Art.jpg","credit":"S・W・レノルズのメゾチント — Wikimedia Commons / CC0"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Portrait%20of%20Sir%20Joshua%20Reynolds%2C%20Knight%20(4674576).jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Portrait%20of%20Sir%20Joshua%20Reynolds%2C%20Knight%20(4674576).jpg","credit":"ジョシュア・レノルズ肖像のメゾチント — Wikimedia Commons / Public domain"}]},"essence":"版全体を細かく荒らして深い黒をつくり、磨いて明部を起こすことで、線ではなく柔らかくビロード状の暗部から像を浮かべる。","cues":["ビロード状の黒","暗から明へ","柔らかな階調","面を磨く光"],"intents":["高級","静けさ","懐かしさ"],"works":["深い闇から人物や器物が浮かぶ、肖像や静物の複製と挿画","夜や光源の芝居を主題にする、装丁や限定版の口絵"],"recipe":{"type":"文字を暗部に置かず、明部を起こした側へ小さく配する","layout":"光を当てる範囲を先に決め、暗部の面積を画面の大半に取る","material":"全面を目立てしてから磨き戻し、黒の深さを刷り部数で管理する"},"avoid":"黒いグラデーションの画像処理にせず、荒らした版から光を削り出す逆向きの工程を階調へ反映する。明部を起こしすぎると深い黒が痩せる。","colors":["#d7d2c9","#5e5d60","#151516"],"motif":"print","pair":["intaglio","new-objectivity-photography"],"study":["rocker","burnisher","tonal printmaking","dark manner"],"en":{"essence":"The whole plate is roughened to hold a deep black, then burnished back to raise the lights, so that the image emerges from soft velvet darkness instead of from lines.","cues":["Velvet blacks","From dark to light","Soft gradation","Burnished light"],"works":["Portraits and still lifes where the subject emerges out of deep darkness","Frontispieces and covers built around night and a single light source"],"recipe":{"type":"Keep lettering out of the shadows and small on the burnished side","layout":"Decide where light falls first and give darkness most of the plate","material":"Rock the whole plate, burnish back the lights, watch black fade across the edition"},"avoid":"Opening too many lights starves the deep black the method depends on, so treat this as raising light out of a roughened plate rather than as a black gradient effect.","study":["rocker","burnisher","tonal printmaking","dark manner"]},"links":{"page":"https://indexstyle.org/styles/mezzotint","json":"https://indexstyle.org/api/styles/mezzotint","designSpec":"https://indexstyle.org/styles/mezzotint/design.md","imagePrompt":"https://indexstyle.org/styles/mezzotint/prompt.txt"},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}