{"id":"meisen-kimono","no":183,"name":"Meisen Kimono","ja":"銘仙","era":"1900s–1950s","family":"日本の近代ファッション","kind":"スタイル","collection":"Dictionary expansion 09","addedAt":"2026-08-18","source":{"title":"V&A — Kimono: Kyoto to Catwalk","url":"https://www.vam.ac.uk/exhibitions/kimono-kyoto-to-catwalk"},"reference":{"status":"verified","pageUrl":"https://www.vam.ac.uk/exhibitions/kimono-kyoto-to-catwalk","credit":"V&A — Kimono: Kyoto to Catwalk","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Poster%20of%20Ashikaga%20Hon-Meisen%20by%20Kitano%20Tsunetomi.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Poster%20of%20Ashikaga%20Hon-Meisen%20by%20Kitano%20Tsunetomi.jpg","credit":"北野恒富 足利本銘仙ポスター"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Meisen.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Meisen.jpg","credit":"銘仙の着物（CC BY-SA 4.0）"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Khalili%20Collection%20of%20Kimono%20K034.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Khalili%20Collection%20of%20Kimono%20K034.jpg","credit":"ハリリ・コレクションの着物（CC BY-SA 4.0）"}]},"essence":"安価な絣技法に大胆な抽象柄と化学染料の鮮色を載せた大衆着物で、アール・デコや前衛絵画を日常着へ翻訳した日本のモダニズムだった。","cues":["大柄の抽象文様","化学染料の鮮色","絣のにじんだ輪郭","日常着の実験性"],"intents":["遊び","高揚","懐かしさ"],"works":["一次資料と代表例から成立条件を比較する","服飾以外の媒体へ応用できる構成原理を取り出す"],"recipe":{"type":"参照される時代・共同体の文字と記号を観察する","layout":"シルエットと比率を画面構成へ翻訳する","material":"布地・仕立て・着る人の身体という素材条件を確認する"},"avoid":"衣服の記号だけを剥がして使わない。誰が・なぜ・何に抗して着たかという文脈を確認する。","colors":["#eae6de","#6b655c","#1a1815"],"motif":"fashion","pair":["rinpa","flapper"],"study":["足利・伊勢崎・秩父の産地","モダンガールと大衆消費","解し織と併用絣"],"en":{"essence":"The popular kimono that put bold abstract pattern and chemical-dye color on a cheap ikat technique — Japanese modernism translating Deco and the avant-garde into everyday dress.","cues":["Large abstract patterns","Vivid chemical dyes","Blurred kasuri edges","Everyday experimentation"],"works":["Comparing primary sources and exemplary cases","Extracting principles that transfer beyond dress"],"recipe":{"type":"Observe the letters and signs of the era and community referred to","layout":"Translate silhouette and proportion into composition","material":"Verify the material conditions: cloth, tailoring, the wearer's body"},"avoid":"Never peel off the garment's signs alone. Verify who wore it, why, and against what.","study":["The Ashikaga, Isesaki and Chichibu districts","the modern girl and mass consumption","hogushi weaving and combined kasuri"]}}