{"id":"mail-art","no":682,"name":"Mail Art","ja":"メール・アート／郵便芸術","sourceSlug":"mail-art","era":"1960s–present","family":"前衛","kind":"スタイル","essence":"封筒、葉書、切手、ゴム印、コピー、宛名、消印、配送時間を作品の構成要素にし、美術市場の外で人から人へ送るネットワーク芸術。完成品の一枚より、返信、転送、加筆、到着の痕跡が増える仕組みを設計する。","cues":["封筒、葉書、宛名欄、郵便枠を画面構造として使う","作家切手、ゴム印、タイプ打ち、コピーを重ねる","折り、擦れ、消印、日付など配送で生じた痕跡を残す","受取人が返信、加筆、転送できる指示や空白を持つ"],"intents":["親密","反骨","遊び"],"pair":["fluxus","concrete-poetry"],"study":["Ray Johnson and the New York Correspondance School","Fluxus postal networks","artistamps, rubber stamps and collaborative correspondence"],"works":["展示へ来られない人どうしが、往復と加筆で作品を育てる参加企画","小規模な出版、招待、記録を、配送の痕跡まで含む一連の作品にするとき"],"recipe":{"type":"宛名、日付、短い指示をタイプ、手書き、ゴム印で分け、読む順序を郵便面の規則へ合わせる。","layout":"表に配送情報、裏に作品と返信領域を置き、折りと切手位置を最初から構成へ組み込む。","material":"葉書、薄紙、封筒、コピー、ゴム印、作家切手を使い、配送で付いた擦れと消印を上書きしない。"},"avoid":"他人の住所、署名、消印を許可なく公開しない。実在切手や料金証紙と誤認される意匠、郵便処理を妨げる素材を避け、作品面と配送面を分ける。","colors":["#E8DFC9","#2B4C6F","#A33E32"],"motif":"postal","collection":"Dictionary expansion 38","addedAt":"2026-08-23","source":{"title":"MoMA — Mail Art","url":"https://www.moma.org/collection/terms/mail-art"},"reference":{"status":"verified","pageUrl":"https://www.moma.org/collection/terms/mail-art","credit":"MoMA — Mail Art"},"en":{"essence":"A network art practice that treats envelopes, postcards, stamps, rubber stamps, addresses, postmarks, and delivery time as compositional parts. The work is a system for reply, forwarding, addition, and arrival rather than one finished sheet.","cues":["Envelopes, postcards, address fields, and postal frames structuring the page","Artistamps, rubber stamps, typing, and photocopy layered together","Folds, abrasion, postmarks, and dates from transit retained","Instructions or space for a recipient to reply, alter, or forward"],"works":["Growing a work through exchange among people who cannot share one venue","Making invitations, editions, and records one sequence including the marks of delivery"],"recipe":{"type":"Separate address, date, and instruction with typing, handwriting, and stamps while following postal reading order.","layout":"Keep delivery information on one face and artwork plus reply area on the other, composing around folds and stamp position.","material":"Use postcards, thin paper, envelopes, photocopy, rubber stamps, and artistamps without erasing transit wear."},"avoid":"Do not publish private addresses, signatures, or postmarks without consent. Avoid designs mistaken for valid postage and materials that obstruct postal handling.","study":["Ray Johnson and the New York Correspondance School","Fluxus postal networks","artistamps, rubber stamps and collaborative correspondence"]},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}