{"id":"magic-realism","no":440,"name":"Magic Realism","ja":"マジック・リアリズム","era":"1925–1970s","family":"絵画技法","kind":"スタイル","collection":"Dictionary expansion 24","addedAt":"2026-08-18","source":{"title":"Tate — Art Terms: Magic Realism","url":"https://www.tate.org.uk/art/art-terms/m/magic-realism"},"reference":{"status":"verified","pageUrl":"https://www.tate.org.uk/art/art-terms/m/magic-realism","credit":"Tate — Art Terms: Magic Realism","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Georg%20Schrimpf%20-%20Liegende%20Frau%20mit%20Kind.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Georg%20Schrimpf%20-%20Liegende%20Frau%20mit%20Kind.jpg","credit":"Georg Schrimpf《横たわる女と子ども》— Wikimedia Commons / Public domain"}]},"essence":"描写は徹底して写実でありながら、光・配置・静けさによって現実が一段ずれて見える絵画。超現実主義のような変形は使わず、ありふれた事物を異様なほど明晰に置くことで不安と静謐を同時に呼ぶ。命名は1925年のドイツ美術批評に由来する。","cues":["硬質で均一な光","異様に明晰な描写","静止した人物と事物","説明されない配置"],"intents":["静けさ","親密","高級"],"works":["小説や映画の宣伝で、説明せずに不穏さだけを立ち上げたいとき","住宅や家具の広告で、日常の場面を一段だけずらして見せたいとき"],"recipe":{"type":"細身のセリフを小さく置き、画像から離して説明を加えない","layout":"人物と物を止めたまま離し、間の空きを説明しない","material":"影の出ない硬い均一光で輪郭を保ち、艶のない下地に置く"},"avoid":"変形や合成で不思議さを足すと、写実のまま狂うという条件が壊れ、ただの超現実の図版になる。","colors":["#D9E1DC","#8A744E","#23262B"],"motif":"graphic","pair":["new-objectivity-photography","surrealism"],"study":["フランツ・ローによる命名 1925","新即物主義との関係","ラテンアメリカ文学への転用"],"en":{"essence":"Painting whose handling is scrupulously realist, yet whose light, placement and silence tip reality one notch out of true. It uses none of Surrealism's distortions; instead it sets ordinary things down with uncanny clarity, summoning unease and stillness at once. The name comes from German art criticism of 1925.","cues":["Hard, evenly distributed light","Description of uncanny clarity","Figures and objects held motionless","Arrangements that are never explained"],"works":["Brand photography and film stills that must feel calm and slightly wrong: fragrance, luxury goods, speculative fiction","Editorial illustration for essays whose subject is ordinary life seen from an angle that will not resolve"],"recipe":{"type":"A quiet serif set small and clear of the image so it never explains it","layout":"Figures and objects held still and apart, the gap between them left unexplained","material":"Hard even shadowless light, edges kept sharp, on a matte stock with no gloss"},"avoid":"Reaching for melting clocks and impossible bodies: the moment the description breaks, the work is Surrealist, and the particular chill of the ordinary held too clearly is gone.","study":["Franz Roh's coining of the term in 1925","Its relation to New Objectivity","The term's transfer to Latin American literature"]},"links":{"page":"https://indexstyle.org/styles/magic-realism","json":"https://indexstyle.org/api/styles/magic-realism","designSpec":"https://indexstyle.org/styles/magic-realism/design.md","imagePrompt":"https://indexstyle.org/styles/magic-realism/prompt.txt"},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}