{"id":"madhubani","no":210,"name":"Madhubani","ja":"ミティラー画（マドゥバニ）","era":"traditional–present","family":"インドの絵画","kind":"スタイル","collection":"Dictionary expansion 10","addedAt":"2026-08-18","source":{"title":"Mithila Museum — About","url":"http://www.mithila-museum.com/aboutMM/Eindex.html"},"reference":{"status":"verified","pageUrl":"http://www.mithila-museum.com/aboutMM/Eindex.html","credit":"Mithila Museum — About","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Madhubani%20painting%20by%20Bhuvana%20Meenakshi.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Madhubani%20painting%20by%20Bhuvana%20Meenakshi.jpg","credit":"ミティラー画（CC BY-SA 3.0）"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Dilli%20Haat%20Madhubani%20Mithila%20Painting%20Artist.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Dilli%20Haat%20Madhubani%20Mithila%20Painting%20Artist.jpg","credit":"制作中のミティラー画家（CC BY-SA 4.0）"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Jadupatua%20paintings%20and%20Madhubani%20paintings.JPG?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Jadupatua%20paintings%20and%20Madhubani%20paintings.JPG","credit":"ミティラー画の販売風景（CC BY-SA 3.0）"}]},"essence":"ビハール州ミティラー地方の女性たちが壁と床に描き継いだ祝祭の絵で、余白を文様で満たす稠密さと神話の図像が現代も生きて更新される。","cues":["面を埋め尽くす文様","二重の輪郭線","神話図像","自然顔料"],"intents":["親密","高揚","懐かしさ"],"works":["一次資料と代表作から成立条件を比較する","別媒体へ応用できる構成原理を取り出す"],"recipe":{"type":"参照作品の文字・記号・スケールを観察する","layout":"視線と情報を支配する構造を一つ抽出する","material":"時代・地域・制作工程に固有の素材と挙動を確認する"},"avoid":"表面的な記号へ還元せず、時代・地域・技術・制作主体の文脈を確認する。","colors":["#e9e6dd","#67635d","#171615"],"motif":"archive","pair":["kalighat","naive"],"study":["ガンガー・デーヴィーら作家の系譜","壁画から紙への移行（1960年代）","女性の継承共同体"],"en":{"essence":"Festival painting carried by the women of Mithila from wall and floor to paper — dense pattern filling every void, mythic imagery still alive and updating.","cues":["Pattern filling the plane","Double outlines","Mythic imagery","Natural pigments"],"works":["Comparing primary sources and canonical works","Extracting principles that transfer to other media"],"recipe":{"type":"Observe the letters, signs and scale of reference works","layout":"Extract the one structure that governs gaze and information","material":"Verify the materials and behaviors specific to era, region and process"},"avoid":"Don't reduce it to surface signs. Verify the context of era, region, technology and makers.","study":["Ganga Devi and the named masters","the move from wall to paper (1960s)","the women's lineage of transmission"]}}