{"id":"linocut","no":77,"name":"Linocut","ja":"リノカット","era":"1890s–","family":"凸版印刷","kind":"技法","collection":"Archive expansion 02","source":{"title":"Wikimedia Commons — Wet Afternoon","url":"https://commons.wikimedia.org/wiki/File:Ethel%20Spowers.%20Wet%20afternoon%2C%201930.%20Linocut.jpg"},"addedAt":"2026-08-17","reference":{"status":"verified","pageUrl":"https://commons.wikimedia.org/wiki/File:Ethel%20Spowers.%20Wet%20afternoon%2C%201930.%20Linocut.jpg","credit":"Ethel Spowers, Wet Afternoon, 1930","gallery":[{"imageUrl":"https://upload.wikimedia.org/wikipedia/commons/thumb/e/e5/Ethel_Spowers._Wet_afternoon%2C_1930._Linocut.jpg/1280px-Ethel_Spowers._Wet_afternoon%2C_1930._Linocut.jpg","pageUrl":"https://commons.wikimedia.org/wiki/File:Ethel%20Spowers.%20Wet%20afternoon%2C%201930.%20Linocut.jpg","credit":"Ethel Spowers, Wet Afternoon, 1930"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Ethel%20Spowers.%20Swings%2C%201932.%20Linocut.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Ethel%20Spowers.%20Swings%2C%201932.%20Linocut.jpg","credit":"エセル・スパウアーズ『Swings』1932"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Cyril%20Power%20-%20Tube%20Train%20-%20circa%201934.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Cyril%20Power%20-%20Tube%20Train%20-%20circa%201934.jpg","credit":"シリル・パワー『The Tube Train』1934頃"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Celtic%20Knot%202024%20Prints%20by%20Attendees%20of%20Aoife%20Cawley%20Linocut%20Workshop%202.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Celtic%20Knot%202024%20Prints%20by%20Attendees%20of%20Aoife%20Cawley%20Linocut%20Workshop%202.jpg","credit":"リノカット・ワークショップの刷り"}]},"essence":"滑らかな版を大胆に切り、少ない色と反復する人物・形に強いリズムを与える。","cues":["大きな切り面","色版の重なり","簡略化した人物","反復する動き"],"intents":["親密","高揚","懐かしさ"],"works":["群衆や日常動作をリズムとして見せる","少数色で親しみのある手刷り感を出す"],"recipe":{"type":"形に負けない太めの文字。版ごとに色を分ける","layout":"動きの方向を揃えた形を反復し、一箇所だけ流れを変える","material":"2〜5色の色版、広い切り面、紙の地"},"avoid":"木版画との違いを単なる線の粗さにしない。リノリウム特有の滑らかな曲線と面を活かす。","colors":["#d9d0ae","#4b6f70","#a64d3a"],"motif":"print","pair":["woodcut","wpa-poster"],"study":["Ethel Spowers","Claude Flight","Grosvenor School"],"en":{"essence":"Cuts the smooth block boldly, giving few colors and repeated figures a driving rhythm.","cues":["Large cut planes","Overlapping color blocks","Simplified figures","Repeating movement"],"works":["Showing crowds and daily motion as rhythm","A friendly hand-printed feel in few colors"],"recipe":{"type":"Letters sturdy enough to hold against the shapes; one color per block","layout":"Repeat forms with aligned motion; change the current in one place","material":"Two to five color blocks, broad cut planes, the paper's ground"},"avoid":"The difference from woodcut is not mere roughness. Use linoleum's smooth curves and planes.","study":["Ethel Spowers","Claude Flight","Grosvenor School"]}}