{"id":"ligne-claire","no":416,"name":"Ligne Claire","ja":"リーニュ・クレール","era":"1929–","family":"イラストレーション様式","kind":"スタイル","collection":"Dictionary expansion 22","addedAt":"2026-08-18","source":{"title":"Musée Hergé","url":"https://www.museeherge.com/"},"reference":{"status":"verified","pageUrl":"https://www.museeherge.com/","credit":"Musée Hergé","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Comic%20Mural%20Tintin%2C%20Herg%C3%A9%2C%20Brussels%20(cropped).jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Comic%20Mural%20Tintin%2C%20Herg%C3%A9%2C%20Brussels%20(cropped).jpg","credit":"エルジェ《タンタンの冒険》壁画（ブリュッセル、エチューヴ通り） — Wikimedia Commons / CC BY-SA 3.0"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Comic%20wall%20Blake%20%26%20Mortimer%202.%20Edgar%20P.%20Jacobs.%20Brussels.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Comic%20wall%20Blake%20%26%20Mortimer%202.%20Edgar%20P.%20Jacobs.%20Brussels.jpg","credit":"エドガー・P・ジャコブス《ブレイクとモーティマー》壁画（ブリュッセル、ホップ通り） — Wikimedia Commons / CC BY-SA 3.0"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Comic%20wall%20Le%20jeune%20Albert%2C%20Yves%20Chaland%2C%20Brussels.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Comic%20wall%20Le%20jeune%20Albert%2C%20Yves%20Chaland%2C%20Brussels.jpg","credit":"イヴ・シャラン《Le Jeune Albert》壁画（ブリュッセル、アレクシアン通り） — Wikimedia Commons / CC BY-SA 3.0"}]},"essence":"エルジェ『タンタン』が確立した均一な輪郭線の様式。影を落とさず、どの要素も同じ太さの線で描く民主的な画面が、明晰さそのものを美学にし、欧州漫画から現代イラストまで流れ続ける。","cues":["均一な太さの輪郭線","影の不在","平面的な彩色","背景も人物も同格の描写"],"intents":["静けさ","信頼","遊び"],"works":["手順書や地図の図解を、細部まで等しく見せて誤読を防ぐとき","長い連載の絵を、複数の描き手でも揃えて続けるとき"],"recipe":{"type":"文字も同じ太さの線で描き、書体の抑揚を作らない","layout":"背景の建物や道具を人物と同じ密度で描き込む","material":"影とグラデーションを使わず、面ごとに一色を平らに置く"},"avoid":"線を均一にする規律を守らず一部だけ強弱を付けると、影のない画面で立体が矛盾し、絵が破綻する。","colors":["#b4eefe","#cd8c3c","#131316"],"motif":"graphic","pair":["golden-silver-age-comics","ukiyo-e"],"study":["エルジェ『タンタンの冒険』","ヨースト・スワルテの命名","現代のクリアライン継承者"],"en":{"essence":"The style of uniform outline that Hergé established in Tintin. Nothing casts a shadow and every element carries the same line weight, a democratic picture plane whose clarity became an aesthetic, still flowing from European comics into illustration today.","cues":["Uniform-weight outlines","The absence of shadow","Flat color","Background and figure treated equally"],"works":["Instructional diagrams and maps where every detail must read equally","Long-running series that several hands must keep looking identical"],"recipe":{"type":"Lettering drawn at the same line weight, no swelling stroke","layout":"Buildings and props detailed to the same density as the figures","material":"No shadow or gradient, one flat color to each enclosed area"},"avoid":"Breaking the uniform line for just one element makes volume contradict itself on a page that has no shadows, and the drawing falls apart.","study":["Hergé's Tintin","Joost Swarte's naming","the contemporary clear-line lineage"]},"links":{"page":"https://indexstyle.org/styles/ligne-claire","json":"https://indexstyle.org/api/styles/ligne-claire","designSpec":"https://indexstyle.org/styles/ligne-claire/design.md","imagePrompt":"https://indexstyle.org/styles/ligne-claire/prompt.txt"},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}