{"id":"les-nabis","no":424,"name":"Les Nabis","ja":"ナビ派","era":"1888–1900","family":"世紀末芸術","kind":"スタイル","collection":"Dictionary expansion 23","addedAt":"2026-08-18","source":{"title":"Tate — Art Terms: Nabis","url":"https://www.tate.org.uk/art/art-terms/n/nabis"},"reference":{"status":"verified","pageUrl":"https://www.tate.org.uk/art/art-terms/n/nabis","credit":"Tate — Art Terms: Nabis","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/BonnardFranceChampagne.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:BonnardFranceChampagne.jpg","credit":"Pierre Bonnard《France-Champagne》ポスター 1891 — Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Paul%20S%C3%A9rusier%20-%20The%20Talisman%20-%20Google%20Art%20Project.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Paul%20S%C3%A9rusier%20-%20The%20Talisman%20-%20Google%20Art%20Project.jpg","credit":"Paul Sérusier《タリスマン》1888 — Wikimedia Commons / Public domain"}]},"essence":"「絵画とは、ある秩序で覆われた平坦な面である」という宣言から出発した、預言者を名乗る画家集団。室内と日常を装飾パネル、リトグラフ、本の挿絵、舞台美術へ拡張し、ファインアートと応用美術の境界を溶かした。","cues":["装飾パネルとしての画面構成","模様と地の反転","くすんだ中間色の調和","室内と日常の主題"],"intents":["高級","親密"],"works":["住居や店の壁面を、絵と壁紙の中間として連続で設計するとき","日常の室内を主題に、挿絵や見返し、版画の連作をまとめるとき"],"recipe":{"type":"文字は模様の一部として扱い、地の柄と同じ調子で置く","layout":"縦長の画面を並べ、人物を柄の中に沈めて輪郭を曖昧にする","material":"彩度を落とした中間色を隣り合わせ、艶のない画面に仕上げる"},"avoid":"柄と人物を同じ調子にしすぎると、画面がただの壁紙になり、誰の何の場面かが消える。沈めながらも人物の輪郭は残す。","colors":["#f4d47f","#b95f4e","#2e2d2e"],"motif":"graphic","pair":["cloisonnism","art-nouveau"],"study":["セリュジエ《タリスマン》の来歴","装飾パネルとリトグラフの仕事","アンティミスムの主題"],"en":{"essence":"A group of painters who called themselves prophets, setting out from the declaration that a picture is essentially a flat surface covered in a certain order. They extended interiors and daily life into decorative panels, lithographs, book illustration and stage design, dissolving the boundary between fine and applied art.","cues":["Compositions conceived as decorative panels","Reversals of pattern and ground","Harmonies of muted intermediate tones","Subjects of interiors and daily life"],"works":["Designing the walls of a home or shop as a continuous field between picture and wallpaper","Series of illustrations, endpapers and prints that take the everyday interior as subject"],"recipe":{"type":"Soft, slightly irregular serifs or hand-drawn titling woven into the pattern","layout":"Tall panel formats; figures embedded in wallpaper-like pattern until motif and ground trade places","material":"Muted intermediate tones—dusty rose, olive, ochre—on matte, absorbent surfaces"},"avoid":"Matching figure and pattern too closely turns the picture into plain wallpaper, and who is doing what disappears. Sink the figure in, but keep its contour readable.","study":["The story of Sérusier's The Talisman","The work in decorative panels and lithography","The subjects of Intimisme"]},"links":{"page":"https://indexstyle.org/styles/les-nabis","json":"https://indexstyle.org/api/styles/les-nabis","designSpec":"https://indexstyle.org/styles/les-nabis/design.md","imagePrompt":"https://indexstyle.org/styles/les-nabis/prompt.txt"},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}