{"id":"les-nabis","no":465,"name":"Les Nabis","ja":"ナビ派","era":"1888–1900","family":"象徴と装飾","kind":"スタイル","collection":"Dictionary expansion 23","addedAt":"2026-08-18","source":{"title":"Tate — Art Terms: Nabis","url":"https://www.tate.org.uk/art/art-terms/n/nabis"},"reference":{"status":"verified","pageUrl":"https://www.tate.org.uk/art/art-terms/n/nabis","credit":"Tate — Art Terms: Nabis","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/BonnardFranceChampagne.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:BonnardFranceChampagne.jpg","credit":"Pierre Bonnard《France-Champagne》ポスター 1891 — Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Paul%20S%C3%A9rusier%20-%20The%20Talisman%20-%20Google%20Art%20Project.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Paul%20S%C3%A9rusier%20-%20The%20Talisman%20-%20Google%20Art%20Project.jpg","credit":"Paul Sérusier《タリスマン》1888 — Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Serusier%20-%20the%20talisman-2.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Serusier%20-%20the%20talisman-2.jpg","credit":"Paul Sérusier《タリスマン》（別図版）— Wikimedia Commons / Public domain"}]},"essence":"「絵画とは、ある秩序で覆われた平坦な面である」という宣言から出発した、預言者を名乗る画家集団。室内と日常を装飾パネル、リトグラフ、本の挿絵、舞台美術へ拡張し、ファインアートと応用美術の境界を溶かした。","cues":["装飾パネルとしての画面構成","模様と地の反転","くすんだ中間色の調和","室内と日常の主題"],"intents":["高級","親密"],"works":["一次資料と代表作から成立条件を比較する","別媒体へ応用できる構成原理を取り出す"],"recipe":{"type":"参照作品の文字・記号・スケールを観察する","layout":"視線と情報を支配する構造を一つ抽出する","material":"時代・地域・制作工程に固有の素材と挙動を確認する"},"avoid":"表面的な記号へ還元せず、時代・地域・技術・制作主体の文脈を確認する。","colors":["#e9e6dd","#67635d","#171615"],"motif":"graphic","pair":["cloisonnism","art-nouveau"],"study":["セリュジエ《タリスマン》の来歴","装飾パネルとリトグラフの仕事","アンティミスムの主題"],"en":{"essence":"A group of painters who called themselves prophets, setting out from the declaration that a picture is essentially a flat surface covered in a certain order. They extended interiors and daily life into decorative panels, lithographs, book illustration and stage design, dissolving the boundary between fine and applied art.","cues":["Compositions conceived as decorative panels","Reversals of pattern and ground","Harmonies of muted intermediate tones","Subjects of interiors and daily life"],"works":["Warm lifestyle branding built on pattern-on-pattern interiors","Book covers and endpapers where figure and wallpaper merge"],"recipe":{"type":"Soft, slightly irregular serifs or hand-drawn titling woven into the pattern","layout":"Tall panel formats; figures embedded in wallpaper-like pattern until motif and ground trade places","material":"Muted intermediate tones—dusty rose, olive, ochre—on matte, absorbent surfaces"},"avoid":"Avoid isolating the figure from its patterned ground; the intimacy depends on subject and décor sharing one flat weave.","study":["The story of Sérusier's The Talisman","The work in decorative panels and lithography","The subjects of Intimisme"]}}