{"id":"labanotation","no":388,"name":"Labanotation","ja":"ラバノーテーション","era":"1928–","family":"記譜の様式","kind":"スタイル","collection":"Dictionary expansion 21","addedAt":"2026-08-18","source":{"title":"Dance Notation Bureau「Labanotation Fundamentals」","url":"https://www.dancenotation.org/labanotation-fundamentals/"},"reference":{"status":"verified","pageUrl":"https://www.dancenotation.org/labanotation-fundamentals/","credit":"Dance Notation Bureau「Labanotation Fundamentals」","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Myriam%20Gourfink%20(5925927642).jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Myriam%20Gourfink%20(5925927642).jpg","credit":"ラバノーテーションの譜面（CC BY-SA 2.0）"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Feuillet%201700.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Feuillet%201700.jpg","credit":"Feuillet 記譜法 1700 — Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Feuillet%20notation.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Feuillet%20notation.jpg","credit":"Feuillet 記譜法の譜面 — Wikimedia Commons / CC0"}]},"essence":"身体の動きを、下から上へ読む一本の縦の柱に置き換える記譜。記号の形が方向を、濃淡が高さを、長さが持続時間を担い、柱を横切る位置がどの部位の動きかを示す。","cues":["下から上へ読む縦の柱に、記号が隙間なく積み上がる","記号の形が九つの方向を示し、中心線の左右で身体の左右を分ける","記号の内側の濃淡が、低い・中間・高いの三段を示す","記号の長さがそのまま持続時間になり、拍の目盛と小節線が柱を横切る"],"intents":["技術","静けさ","反骨"],"works":["振付を記録し、初演した踊り手がいなくても再演できるようにするとき","動作の分析を、映像に頼らず比較できる記号の形で行うとき"],"recipe":{"type":"方向と高さを記号の形と陰影で書き分け、大きさは一定に保つ","layout":"時間は下から上へ進め、身体部位ごとに縦のカラムを割り当てる","material":"記号の長さが持続時間になるため、拍の目盛を紙の端に通す"},"avoid":"動きの印象を優先して記号の長さを崩すと持続時間が読めなくなり、再現ではなく別の踊りが生まれる","colors":["#fdf3c2","#ab956f","#5f4b34"],"motif":"notation","pair":["graphic-notation","bauhaus-stage"],"study":["フイエ記譜法 1700","ルドルフ・ラバン","ベネッシュ記譜法との比較"],"en":{"essence":"A notation that turns bodily movement into one vertical staff read from the bottom upward. The shape of a symbol carries direction, its shading carries level, its length carries duration, and its position across the staff says which part of the body moves.","cues":["Symbols stacked without gaps on a vertical staff read from the bottom upward","Symbol shapes giving nine directions, with the centre line separating right from left","Shading inside each symbol standing for low, middle or high level","Symbol length equal to duration, with tick marks for beats and bar lines crossing the staff"],"works":["Recording choreography so it can be revived without the original cast","Analyzing movement in comparable symbols rather than on video"],"recipe":{"type":"Direction in symbol shape, level in shading, sizes held constant","layout":"Time climbs from the bottom, one column for each body part","material":"Symbol length equals duration, so run a beat scale down the edge"},"avoid":"Bending symbol length to capture how a move feels makes duration unreadable, and the revival comes out as a different dance.","study":["Feuillet notation, 1700","Rudolf Laban","comparison with Benesh notation"]}}