{"id":"kumadori","no":278,"name":"Kumadori","ja":"隈取","era":"1673–","family":"舞台美術","kind":"スタイル","collection":"Dictionary expansion 13","addedAt":"2026-08-18","source":{"title":"日本芸術文化振興会 — 歌舞伎への誘い","url":"https://www2.ntj.jac.go.jp/unesco/kabuki/en/"},"reference":{"status":"verified","pageUrl":"https://www2.ntj.jac.go.jp/unesco/kabuki/en/","credit":"日本芸術文化振興会 — 歌舞伎への誘い","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/The%20actor%20Otani%20Oniji%20II%20as%20Yakko%20Edobei%20-%20Sharaku%20-%20TNM.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:The%20actor%20Otani%20Oniji%20II%20as%20Yakko%20Edobei%20-%20Sharaku%20-%20TNM.jpg","credit":"写楽『大谷鬼次の奴江戸兵衛』1794"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/%E4%B8%89%E4%BB%A3%E7%9B%AE%E5%A4%A7%E8%B0%B7%E9%AC%BC%E6%AC%A1%E3%81%AE%E5%A5%B4%E6%B1%9F%E6%88%B8%E5%85%B5%E8%A1%9B-Kabuki%20Actor%20%C5%8Ctani%20Oniji%20III%20as%20Yakko%20Edobei%20in%20the%20Play%20The%20Colored%20Reins%20of%20a%20Loving%20Wife%20(Koi%20ny%C5%8Db%C5%8D%20somewake%20tazuna)%20MET%20DP130228.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:%E4%B8%89%E4%BB%A3%E7%9B%AE%E5%A4%A7%E8%B0%B7%E9%AC%BC%E6%AC%A1%E3%81%AE%E5%A5%B4%E6%B1%9F%E6%88%B8%E5%85%B5%E8%A1%9B-Kabuki%20Actor%20%C5%8Ctani%20Oniji%20III%20as%20Yakko%20Edobei%20in%20the%20Play%20The%20Colored%20Reins%20of%20a%20Loving%20Wife%20(Koi%20ny%C5%8Db%C5%8D%20somewake%20tazuna)%20MET%20DP130228.jpg","credit":"同 メトロポリタン美術館蔵（CC0）"}]},"essence":"歌舞伎の化粧が筋肉と血管を紅や藍の線で誇張し、役の性格を顔の上に図案化する様式。写楽の役者絵が刻んだ大首絵とともに、日本のグラフィックの強い顔の原型になった。","cues":["紅と藍の隈","筋肉を図案化する線","白塗りの地","性格の色彩コード"],"intents":["高揚","反骨","懐かしさ"],"works":["一次資料と代表作から成立条件を比較する","別媒体へ応用できる構成原理を取り出す"],"recipe":{"type":"参照作品の文字・記号・スケールを観察する","layout":"視線と情報を支配する構造を一つ抽出する","material":"時代・地域・制作工程に固有の素材と挙動を確認する"},"avoid":"表面的な記号へ還元せず、時代・地域・技術・制作主体の文脈を確認する。","colors":["#e9e6dd","#67635d","#171615"],"motif":"display","pair":["commedia-dellarte","ukiyo-e"],"study":["初代市川團十郎","隈の種類と色の意味","写楽の大首絵"],"en":{"essence":"Kabuki makeup that exaggerates muscle and vein in red and indigo lines, diagramming a role's character on the face. With Sharaku's actor prints, the origin of the strong graphic face in Japanese design.","cues":["Red and indigo kuma lines","Musculature drawn as pattern","White ground","A color code of character"],"works":["Comparing primary sources and canonical works","Extracting principles that transfer to other media"],"recipe":{"type":"Observe the letters, signs and scale of reference works","layout":"Extract the one structure that governs gaze and information","material":"Verify the materials and behaviors specific to era, region and process"},"avoid":"Don't reduce it to surface signs. Verify the context of era, region, technology and makers.","study":["Ichikawa Danjūrō I","the types and colors of kuma","Sharaku's ōkubi-e portraits"]}}