{"id":"kumadori","no":248,"name":"Kumadori","ja":"隈取","era":"1673–","family":"舞台美術","kind":"スタイル","collection":"Dictionary expansion 13","addedAt":"2026-08-18","source":{"title":"日本芸術文化振興会 — 歌舞伎への誘い","url":"https://www2.ntj.jac.go.jp/unesco/kabuki/en/"},"reference":{"status":"verified","pageUrl":"https://www2.ntj.jac.go.jp/unesco/kabuki/en/","credit":"日本芸術文化振興会 — 歌舞伎への誘い","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/The%20actor%20Otani%20Oniji%20II%20as%20Yakko%20Edobei%20-%20Sharaku%20-%20TNM.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:The%20actor%20Otani%20Oniji%20II%20as%20Yakko%20Edobei%20-%20Sharaku%20-%20TNM.jpg","credit":"写楽『大谷鬼次の奴江戸兵衛』1794 — Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Danjuro%20Ichikawa%20IX%20as%20Kamakura%20Gongoro%20Kagemasa%20in%20Shibaraku.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Danjuro%20Ichikawa%20IX%20as%20Kamakura%20Gongoro%20Kagemasa%20in%20Shibaraku.jpg","credit":"九代目市川団十郎の鎌倉権五郎（『暫』1895年） — Wikimedia Commons / Public domain"}]},"essence":"歌舞伎の化粧が筋肉と血管を紅や藍の線で誇張し、役の性格を顔の上に図案化する様式。写楽の役者絵が刻んだ大首絵とともに、日本のグラフィックの強い顔の原型になった。","cues":["紅と藍の隈","筋肉を図案化する線","白塗りの地","性格の色彩コード"],"intents":["高揚","反骨","懐かしさ"],"works":["役の性格を線と色で言い切る舞台化粧やキャラクターの顔の設計","顔を主役に据えた公演ポスターや商品パッケージの図像づくり"],"recipe":{"type":"書き文字は隈の筆勢に合わせ、太く抑揚のある線で入れる","layout":"顔を画面いっぱいに寄せ、眉と目の線で構図の軸をつくる","material":"白の地に紅と藍を刷毛でぼかし、筋の走りを残して仕上げる"},"avoid":"紅と藍の線を模様として描くと、善悪や超人性を示す色の意味が崩れ、性格の読めない飾り顔になる。","colors":["#fefbed","#b8352b","#26354d"],"motif":"display","pair":["commedia-dellarte","ukiyo-e"],"study":["初代市川團十郎","隈の種類と色の意味","写楽の大首絵"],"en":{"essence":"Kabuki makeup that exaggerates muscle and vein in red and indigo lines, diagramming a role's character on the face. With Sharaku's actor prints, the origin of the strong graphic face in Japanese design.","cues":["Red and indigo kuma lines","Musculature drawn as pattern","White ground","A color code of character"],"works":["Stage makeup and character faces that state temperament through line and color","Posters and packaging where one strong face has to carry the whole design"],"recipe":{"type":"Brushed letters that match the stroke energy of the makeup lines","layout":"Crop tight to the face and let brow and eye lines set the axis","material":"Red and indigo brushed over white, the bristle streaks left showing"},"avoid":"Drawing the red and indigo as pure pattern breaks the code that marks good, evil and the superhuman, leaving a decorated face that states nothing.","study":["Ichikawa Danjūrō I","the types and colors of kuma","Sharaku's ōkubi-e portraits"]},"links":{"page":"https://indexstyle.org/styles/kumadori","json":"https://indexstyle.org/api/styles/kumadori","designSpec":"https://indexstyle.org/styles/kumadori/design.md","imagePrompt":"https://indexstyle.org/styles/kumadori/prompt.txt"},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}