{"id":"kintsugi","no":518,"name":"Kintsugi","ja":"金継ぎ","era":"15th century–","family":"器と工芸の技","kind":"技法","collection":"Dictionary expansion 26","addedAt":"2026-08-19","source":{"title":"Getty Research Institute — Art & Architecture Thesaurus: kintsugi (300445653)","url":"https://vocab.getty.edu/page/aat/300445653"},"reference":{"status":"verified","pageUrl":"https://vocab.getty.edu/page/aat/300445653","credit":"Getty Research Institute — Art & Architecture Thesaurus: kintsugi (300445653)","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Bol%20%C3%A0%20th%C3%A9%20(Maison%20de%20la%20Culture%20du%20Japon%2C%20Paris)%20-%20Flickr%20-%20dalbera.png?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Bol%20%C3%A0%20th%C3%A9%20(Maison%20de%20la%20Culture%20du%20Japon%2C%20Paris)%20-%20Flickr%20-%20dalbera.png","credit":"《金継ぎで直された古唐津の茶碗》— Wikimedia Commons / CC BY 2.0"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/BLW%20Wine%20pot%20with%20gold%20lacquer%20repair.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:BLW%20Wine%20pot%20with%20gold%20lacquer%20repair.jpg","credit":"《金継ぎで直された高麗青磁の水注》1100–1150年頃 — Wikimedia Commons / CC BY-SA 2.0 UK"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Kintsugi%20on%20broken%20Ky%C5%ABsu%20lid-top%20PNr%C2%B01257.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Kintsugi%20on%20broken%20Ky%C5%ABsu%20lid-top%20PNr%C2%B01257.jpg","credit":"《金継ぎで直された急須の蓋》— Wikimedia Commons / CC BY-SA 4.0"}]},"essence":"割れた陶磁を漆で接ぎ、その継ぎ目に金や銀を蒔いて見せる直し方。ゲッティの分類では様式ではなく修復の工程の下に置かれ、繕いの名として登録されている。線を引く場所は割れ方が決めるため、同じ器から二つと同じ図は出ない。","cues":["割れ目に沿って走る金または銀の細い線","線幅が一定でなく、欠けの大きい所では面として埋まる","金の縁にわずかに黒い漆の下地がのぞく","器に元からある絵付けと金線が無関係に交差する"],"intents":["静けさ","親密","技術"],"works":["壊れた試作や在庫を、隠さずに直した状態で並べる展示を作るとき","修理や更新の履歴を、製品や画面の上に見える形で残したいとき"],"recipe":{"type":"文字を足さない。器に元からある銘や絵付けと金の線を競わせない。","layout":"線の走り方は割れ方に従う。構図を先に決めず、破片を合わせてから金の量を決める。","material":"漆で接いで固めてから、継ぎ目に金粉または銀粉を蒔く。"},"avoid":"金の線を最初から意匠として引くと、力が掛かって実際に割れる位置と合わず、繕いではなく柄になる。","colors":["#C9A227","#1B1815","#E6DDCC"],"motif":"graphic","pair":["mingei","glitch"],"study":["ゲッティが kintsugi を修復の工程として登録している位置づけ","kintsukuroi という別名が使われる場面","漆で接ぐ工程と、金粉を蒔く工程の順序"],"en":{"essence":"Kintsugi is the Japanese craft of repairing broken ceramics with urushi lacquer and gold or silver, so the mend is shown rather than hidden. The Getty vocabulary files it under repairing, as a restorative process rather than a style. The break decides where the metal lines run, so one vessel can never produce the same drawing twice.","cues":["Thin gold or silver lines that follow the break exactly","Line width that varies, widening into filled areas where a chip was lost","A trace of dark lacquer showing at the edge of the metal","Metal lines crossing the vessel's original painted decoration without regard for it"],"works":["Building a display where broken prototypes or stock are shown mended instead of discarded","Leaving a visible record of repair or revision on a product or a screen"],"recipe":{"type":"Add no lettering, and let the metal lines share the surface with whatever marks the vessel already carries.","layout":"The break dictates the lines, so fit the fragments first and then decide how much metal each seam takes.","material":"Urushi lacquer joins and hardens the pieces, then gold or silver powder is laid over the seam."},"avoid":"Designing the gold lines before anything breaks places them where no stress runs, and the piece looks patterned rather than mended.","study":["where the Getty places kintsugi, registered as a repairing process","the situations in which the alternative name kintsukuroi is used","the order of joining with urushi lacquer and then sprinkling the gold powder"]}}