{"id":"kinetic-art","no":433,"name":"Kinetic Art","ja":"キネティック・アート","era":"1950s–1970s","family":"幾何学抽象","kind":"スタイル","collection":"Dictionary expansion 23","addedAt":"2026-08-18","source":{"title":"Tate — Art Terms: Kinetic Art","url":"https://www.tate.org.uk/art/art-terms/k/kinetic-art"},"reference":{"status":"verified","pageUrl":"https://www.tate.org.uk/art/art-terms/k/kinetic-art","credit":"Tate — Art Terms: Kinetic Art","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Jesus%20Rafael%20Soto%2C%20Double%20Progression%20Vert%20et%20Blanc%2C%201969.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Jesus%20Rafael%20Soto%2C%20Double%20Progression%20Vert%20et%20Blanc%2C%201969.jpg","credit":"Jesús Rafael Soto《Double Progression Vert et Blanc》1969 — Wikimedia Commons / CC BY-SA 4.0"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Alexander%20Calder%2C%20Stabile-Mobile%20-%20Brazilia%2C%20vers%201965%20(50159143712).jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Alexander%20Calder%2C%20Stabile-Mobile%20-%20Brazilia%2C%20vers%201965%20(50159143712).jpg","credit":"Alexander Calder《Stabile-Mobile — Brazilia》1965頃 — Wikimedia Commons / CC BY 2.0"}]},"essence":"実際に動く、あるいは見る者の移動で像が変わることを条件にした造形。モビール、モーター駆動、モアレを生む重ね格子が、時間を作品の構成要素にする。動きを設計対象として扱う考え方の基礎。","cues":["風やモーターによる実際の運動","重ね格子が生むモアレ","視点移動で変化する像","反復するモジュール"],"intents":["高揚","技術"],"works":["科学館や展示会のサインで、来場者が歩くほど像が変わる仕掛けにしたいとき","映像のロゴ表現で、部品の反復だけから動きを組み立てたいとき"],"recipe":{"type":"格子と同じ太さの中立なサンセリフにし、重なっても読みが崩れないようにする","layout":"同一の単位を等間隔で反復し、二層をわずかにずらして干渉を起こす","material":"金属や半透明の板を離して重ね、白黒に原色を少し、影を実際に動かす"},"avoid":"動く仕掛けを足すこと自体が目的になると、モアレのちらつきで文字も図も読めなくなる。動きを外して何も変わらないなら、それは動く作品ではない。","colors":["#e0e3ed","#d03720","#060909"],"motif":"graphic","pair":["op-art","constructivism"],"study":["モビールと機械駆動の系譜","GRAVとヴェネズエラ勢の展開","モアレの光学"],"en":{"essence":"Work defined by the condition that it actually moves, or that its image changes as the viewer moves. Mobiles, motor drives and layered grids producing moiré make time a structural element of the work. The foundation of the idea that motion itself is something to be designed.","cues":["Actual movement by wind or motor","Moiré produced by layered grids","Images that change with the viewer's position","Repeating modules"],"works":["Interactive signage and lenticular print that changes with the passer-by","Motion identities and installations where the logo literally moves"],"recipe":{"type":"A neutral modular sans at the grid weight that survives distortion and overlap","layout":"Repeat one module at even intervals and offset the second layer to make interference","material":"Spaced metal and acetate layers in black and white with sparing primaries, moving real shadow"},"avoid":"When adding movement becomes the goal, moiré flicker leaves the text and the diagram unreadable. If removing the motion changes nothing, the work was never kinetic.","study":["The lineage from mobiles to motorised works","The developments of GRAV and the Venezuelan artists","The optics of moiré"]},"links":{"page":"https://indexstyle.org/styles/kinetic-art","json":"https://indexstyle.org/api/styles/kinetic-art","designSpec":"https://indexstyle.org/styles/kinetic-art/design.md","imagePrompt":"https://indexstyle.org/styles/kinetic-art/prompt.txt"},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}