{"id":"kinetic-art","no":474,"name":"Kinetic Art","ja":"キネティック・アート","era":"1950s–1970s","family":"知覚芸術","kind":"スタイル","collection":"Dictionary expansion 23","addedAt":"2026-08-18","source":{"title":"Tate — Art Terms: Kinetic Art","url":"https://www.tate.org.uk/art/art-terms/k/kinetic-art"},"reference":{"status":"verified","pageUrl":"https://www.tate.org.uk/art/art-terms/k/kinetic-art","credit":"Tate — Art Terms: Kinetic Art","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/'Mobile'%2C%20by%20Alexander%20Calder%2C%20Tate%20Modern.JPG?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:'Mobile'%2C%20by%20Alexander%20Calder%2C%20Tate%20Modern.JPG","credit":"Alexander Calder《モビール》Tate Modern — Wikimedia Commons / CC0"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Jesus%20Rafael%20Soto%2C%20Double%20Progression%20Vert%20et%20Blanc%2C%201969.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Jesus%20Rafael%20Soto%2C%20Double%20Progression%20Vert%20et%20Blanc%2C%201969.jpg","credit":"Jesús Rafael Soto《Double Progression Vert et Blanc》1969 — Wikimedia Commons / CC BY-SA 4.0"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Alexander%20Calder%2C%20Stabile-Mobile%20-%20Brazilia%2C%20vers%201965%20(50159143712).jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Alexander%20Calder%2C%20Stabile-Mobile%20-%20Brazilia%2C%20vers%201965%20(50159143712).jpg","credit":"Alexander Calder《Stabile-Mobile — Brazilia》1965頃 — Wikimedia Commons / CC BY 2.0"}]},"essence":"実際に動く、あるいは見る者の移動で像が変わることを条件にした造形。モビール、モーター駆動、モアレを生む重ね格子が、時間を作品の構成要素にする。動きを設計対象として扱う考え方の基礎。","cues":["風やモーターによる実際の運動","重ね格子が生むモアレ","視点移動で変化する像","反復するモジュール"],"intents":["高揚","技術"],"works":["一次資料と代表作から成立条件を比較する","別媒体へ応用できる構成原理を取り出す"],"recipe":{"type":"参照作品の文字・記号・スケールを観察する","layout":"視線と情報を支配する構造を一つ抽出する","material":"時代・地域・制作工程に固有の素材と挙動を確認する"},"avoid":"表面的な記号へ還元せず、時代・地域・技術・制作主体の文脈を確認する。","colors":["#e9e6dd","#67635d","#171615"],"motif":"graphic","pair":["op-art","constructivism"],"study":["モビールと機械駆動の系譜","GRAVとヴェネズエラ勢の展開","モアレの光学"],"en":{"essence":"Work defined by the condition that it actually moves, or that its image changes as the viewer moves. Mobiles, motor drives and layered grids producing moiré make time a structural element of the work. The foundation of the idea that motion itself is something to be designed.","cues":["Actual movement by wind or motor","Moiré produced by layered grids","Images that change with the viewer's position","Repeating modules"],"works":["Interactive signage and lenticular print that changes with the passer-by","Motion identities and installations where the logo literally moves"],"recipe":{"type":"Neutral modular sans that survives distortion and overlap","layout":"Repeated modules and layered grids engineered for interference and parallax","material":"Metal, acetate or screen layers in high-contrast black and white with sparing primaries"},"avoid":"Avoid motion as mere decoration on a static design—if removing the movement changes nothing, the work was never kinetic.","study":["The lineage from mobiles to motorised works","The developments of GRAV and the Venezuelan artists","The optics of moiré"]}}