{"id":"katagami","no":341,"name":"Ise Katagami","ja":"伊勢型紙","era":"Muromachi period–","family":"孔版印刷","kind":"技法","collection":"Dictionary expansion 18","addedAt":"2026-08-18","source":{"title":"伊勢形紙協同組合","url":"http://www.isekatagami.or.jp/"},"reference":{"status":"verified","pageUrl":"http://www.isekatagami.or.jp/","credit":"伊勢形紙協同組合","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Ise%20Katagami%20(%E4%BC%8A%E5%8B%A2%E5%9E%8B%E7%B4%99).png?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Ise%20Katagami%20(%E4%BC%8A%E5%8B%A2%E5%9E%8B%E7%B4%99).png","credit":"伊勢型紙（CC0）"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Ise%20Katagami%20(%E4%BC%8A%E5%8B%A2%E5%9E%8B%E7%B4%99)%209.png?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Ise%20Katagami%20(%E4%BC%8A%E5%8B%A2%E5%9E%8B%E7%B4%99)%209.png","credit":"型紙の連続文様 — Wikimedia Commons / Public domain"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Ise%20Katagami%20(%E4%BC%8A%E5%8B%A2%E5%9E%8B%E7%B4%99)%203.png?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Ise%20Katagami%20(%E4%BC%8A%E5%8B%A2%E5%9E%8B%E7%B4%99)%203.png","credit":"型紙の彫り — Wikimedia Commons / Public domain"}]},"essence":"柿渋で貼り重ねた和紙に文様を彫り抜く染色用の型紙。錐彫・道具彫・縞彫の技法が生む精緻な連続文様は、それ自体が線の芸術として世紀末欧州のデザイナーを驚かせた。","cues":["彫り抜きの連続文様","柿渋紙の茶色","縞彫の極細平行線","正負反転の設計"],"intents":["静けさ","高級","技術"],"works":["反復文様を主役にする、布や壁面や包装の面をつくるとき","抜きと地の関係で成立する、型抜きやレーザー加工の図案"],"recipe":{"type":"文字を入れず、文様の単位そのものが読ませる要素になる","layout":"継ぎ目が見えないよう単位を送り、全面を等しい密度で埋める","material":"柿渋色の紙と抜けの白。細線は支えを見込んで太さを残す"},"avoid":"単位の送りを検討せずに全面へ置き、縦横に筋が浮いて、遠目には格子にしか見えない。","colors":["#ebeaea","#613c34","#1c1310"],"motif":"ephemera","pair":["japonisme","adire"],"study":["錐彫・道具彫・縞彫","江戸小紋との関係","世紀末ウィーンへの影響"],"en":{"essence":"Dyeing stencils cut from persimmon-tannin laminated paper: drill, tool and stripe cutting produce continuous patterns so fine that the stencils themselves startled fin-de-siècle Europe as an art of line.","cues":["Cut continuous patterns","The brown of tannin paper","Hairline parallel stripe cutting","Positive-negative design"],"works":["Surfaces where a repeating pattern leads, in textile, wall or packaging","Die-cut and laser work whose design lives on the figure-ground relation"],"recipe":{"type":"No lettering, the pattern unit itself becomes what is read","layout":"Units stepped so the seam disappears, density even across the field","material":"Tannin-brown paper against cut white, lines kept thick enough to hold"},"avoid":"Repeating a unit without studying the step makes vertical and horizontal streaks surface, and from a distance the pattern reads only as a grid.","study":["kiribori, dogubori and shimabori","the relation to Edo komon","the influence on fin-de-siècle Vienna"]},"links":{"page":"https://indexstyle.org/styles/katagami","json":"https://indexstyle.org/api/styles/katagami","designSpec":"https://indexstyle.org/styles/katagami/design.md","imagePrompt":"https://indexstyle.org/styles/katagami/prompt.txt"},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}