{"id":"karesansui","no":360,"name":"Karesansui","ja":"枯山水","era":"Muromachi period–","family":"庭園の様式","kind":"スタイル","collection":"Dictionary expansion 20","addedAt":"2026-08-18","source":{"title":"龍安寺","url":"http://www.ryoanji.jp/"},"reference":{"status":"verified","pageUrl":"http://www.ryoanji.jp/","credit":"龍安寺","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/RyoanJi-Dry%20garden.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:RyoanJi-Dry%20garden.jpg","credit":"龍安寺石庭（CC BY-SA 3.0）"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/Daisen-in2.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:Daisen-in2.jpg","credit":"大仙院 書院庭園 — Wikimedia Commons / CC BY-SA 3.0"}]},"essence":"水を使わず、砂紋と石組だけで水景と宇宙を表す日本の庭園様式。龍安寺の十五石が示す「引き算の構成」は、余白のデザインの原型として世界のミニマリズムに参照され続ける。","cues":["砂紋の水の暗示","石組の非対称配置","縁側からの固定視点","徹底した引き算"],"intents":["静けさ","信頼","高級"],"works":["屋内の中庭や小さな敷地に、水を使わずに庭を置くとき","一つの視点から眺める、静かな待合や座の空間"],"recipe":{"type":"説明板を置かず、石が何に見立てられているかを言葉にしない","layout":"縁側からの一視点を決め、そこから見て石を奇数で組む","material":"白砂を掃いて流れを描き、苔と石の質感だけで色を作る"},"avoid":"石を増やして見どころを作ろうとするほど余白が埋まり、水を思わせる働きが消えてただの砂利敷きになる。","colors":["#dbd1c9","#636a5c","#1d211a"],"motif":"garden","pair":["moss-garden","sumi-e"],"study":["龍安寺の十五石","夢窓疎石","重森三玲のモダン枯山水"],"en":{"essence":"A Japanese garden that uses no water at all, representing waterscape and cosmos through raked sand and set stones. The fifteen rocks of Ryōan-ji compose by subtraction, and minimalists worldwide still cite them as the archetype for designing emptiness.","cues":["Water implied in raked gravel","Asymmetric stone groupings","A fixed viewpoint from the veranda","Radical subtraction"],"works":["Gardens for small plots and indoor courts where water cannot be used","Quiet waiting and seating spaces meant to be viewed from one position"],"recipe":{"type":"No signage, and no naming of what the stones stand for","layout":"Fix one viewpoint from the veranda and group stones in odd numbers","material":"Rake white gravel into current, with color only from moss and stone"},"avoid":"Adding more stones to create points of interest fills up the emptiness, kills the suggestion of water, and leaves nothing but a bed of gravel.","study":["the fifteen stones of Ryōan-ji","Musō Soseki","Mirei Shigemori's modern dry gardens"]},"links":{"page":"https://indexstyle.org/styles/karesansui","json":"https://indexstyle.org/api/styles/karesansui","designSpec":"https://indexstyle.org/styles/karesansui/design.md","imagePrompt":"https://indexstyle.org/styles/karesansui/prompt.txt"},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}