{"id":"kalighat","no":184,"name":"Kalighat Painting","ja":"カーリーガート絵画","era":"19th century–1930s","family":"ペルシアとインドの絵画","kind":"スタイル","collection":"Dictionary expansion 10","addedAt":"2026-08-18","source":{"title":"V&A — Kalighat painting","url":"https://www.vam.ac.uk/articles/kalighat-painting"},"reference":{"status":"verified","pageUrl":"https://www.vam.ac.uk/articles/kalighat-painting","credit":"V&A — Kalighat painting","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/India%2C%20Calcutta%2C%20Kalighat%20painting%2C%2019th%20century%20-%20Kalighat%20Painting%20-%202003.124%20-%20Cleveland%20Museum%20of%20Art.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:India%2C%20Calcutta%2C%20Kalighat%20painting%2C%2019th%20century%20-%20Kalighat%20Painting%20-%202003.124%20-%20Cleveland%20Museum%20of%20Art.jpg","credit":"カーリーガート絵画 19世紀 — Wikimedia Commons / CC0"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/India%2C%20Calcutta%2C%20Kalighat%20painting%2C%2019th%20century%20-%20Trivikramapada%20(Three%20Steps%20of%20Vishnu)%20-%202003.165%20-%20Cleveland%20Museum%20of%20Art.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:India%2C%20Calcutta%2C%20Kalighat%20painting%2C%2019th%20century%20-%20Trivikramapada%20(Three%20Steps%20of%20Vishnu)%20-%202003.165%20-%20Cleveland%20Museum%20of%20Art.jpg","credit":"『ヴィシュヌの三歩』19世紀 — Wikimedia Commons / CC0"}]},"essence":"コルカタの寺院門前で量産された参拝土産の絵で、太い輪郭と大胆な省略が神々と世相風刺を同じ筆致で描いた。","cues":["太く滑らかな輪郭","大胆な省略","水彩の透明感","神話と風刺の同居"],"intents":["親密","遊び","反骨"],"works":["少ない線で人物を立て、安く速く刷れる絵柄が要る仕事","権威や世相を茶化す挿画を、親しみのある筆致で描きたいとき"],"recipe":{"type":"手書きの題字を絵の余白に添え、線の太さを図像と揃える","layout":"背景を描かず一人か二人を大きく置き、周囲を白のまま残す","material":"太い輪郭を一気に引き、内側を薄く伸ばした水彩で面取りする"},"avoid":"輪郭を丁寧に整えて陰影を足すと、省略の速さが消え、量産絵の持っていた勢いがただの素朴な絵に変わる。","colors":["#e4d3c1","#d67b4b","#272429"],"motif":"archive","pair":["madhubani","mughal-miniature"],"study":["カーリー寺院の門前市","ヤミニ・ロイへの影響","植民地社会の風刺画"],"en":{"essence":"Pilgrims bought these paintings by the sheet at the temple gates of Calcutta, where thick contours and bold omission rendered gods and social satire in the same hand.","cues":["Thick fluent contours","Bold omission","Watercolor transparency","Gods beside satire"],"works":["Work needing figures built from few lines, printed cheap and fast","Satirical illustration that mocks authority in a familiar, friendly hand"],"recipe":{"type":"Hand-lettered captions in the margin, stroke weight matched to the figure","layout":"No background, one or two large figures, the rest left white","material":"Thick contours drawn in one motion, thin washes modeling inside"},"avoid":"Neatening the contour and adding modeling kills the speed of the omission, and the momentum of a mass-made sheet turns into mere naivety.","study":["The Kalighat temple market","the influence on Jamini Roy","colonial social satire"]},"links":{"page":"https://indexstyle.org/styles/kalighat","json":"https://indexstyle.org/api/styles/kalighat","designSpec":"https://indexstyle.org/styles/kalighat/design.md","imagePrompt":"https://indexstyle.org/styles/kalighat/prompt.txt"},"usage":{"license":"CC-BY-4.0","licenseName":"Creative Commons Attribution 4.0 International","licenseUrl":"https://creativecommons.org/licenses/by/4.0/","attribution":"IndexStyle — https://indexstyle.org","attributionUrl":"https://indexstyle.org","scope":"Original IndexStyle text and structured data. Reference images, quoted works, and third-party material are excluded and retain their own rights."}}