{"id":"kalighat","no":209,"name":"Kalighat Painting","ja":"カーリーガート絵画","era":"19th century–1930s","family":"インドの絵画","kind":"スタイル","collection":"Dictionary expansion 10","addedAt":"2026-08-18","source":{"title":"V&A — Kalighat painting","url":"https://www.vam.ac.uk/articles/kalighat-painting"},"reference":{"status":"verified","pageUrl":"https://www.vam.ac.uk/articles/kalighat-painting","credit":"V&A — Kalighat painting","gallery":[{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/India%2C%20Calcutta%2C%20Kalighat%20painting%2C%2019th%20century%20-%20Kalighat%20Painting%20-%202003.124%20-%20Cleveland%20Museum%20of%20Art.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:India%2C%20Calcutta%2C%20Kalighat%20painting%2C%2019th%20century%20-%20Kalighat%20Painting%20-%202003.124%20-%20Cleveland%20Museum%20of%20Art.jpg","credit":"カーリーガート絵画 19世紀"},{"imageUrl":"https://commons.wikimedia.org/wiki/Special:FilePath/India%2C%20Calcutta%2C%20Kalighat%20painting%2C%2019th%20century%20-%20Trivikramapada%20(Three%20Steps%20of%20Vishnu)%20-%202003.165%20-%20Cleveland%20Museum%20of%20Art.jpg?width=640","pageUrl":"https://commons.wikimedia.org/wiki/File:India%2C%20Calcutta%2C%20Kalighat%20painting%2C%2019th%20century%20-%20Trivikramapada%20(Three%20Steps%20of%20Vishnu)%20-%202003.165%20-%20Cleveland%20Museum%20of%20Art.jpg","credit":"『ヴィシュヌの三歩』19世紀"}]},"essence":"コルカタの寺院門前で量産された参拝土産の絵で、太い輪郭と大胆な省略が神々と世相風刺を同じ筆致で描いた。","cues":["太く滑らかな輪郭","大胆な省略","水彩の透明感","神話と風刺の同居"],"intents":["親密","遊び","反骨"],"works":["一次資料と代表作から成立条件を比較する","別媒体へ応用できる構成原理を取り出す"],"recipe":{"type":"参照作品の文字・記号・スケールを観察する","layout":"視線と情報を支配する構造を一つ抽出する","material":"時代・地域・制作工程に固有の素材と挙動を確認する"},"avoid":"表面的な記号へ還元せず、時代・地域・技術・制作主体の文脈を確認する。","colors":["#e9e6dd","#67635d","#171615"],"motif":"archive","pair":["madhubani","mughal-miniature"],"study":["カーリー寺院の門前市","ヤミニ・ロイへの影響","植民地社会の風刺画"],"en":{"essence":"Souvenir paintings mass-produced at Calcutta's temple gate — thick fluent contours and bold omission drawing gods and social satire with the same brush.","cues":["Thick fluent contours","Bold omission","Watercolor transparency","Gods beside satire"],"works":["Comparing primary sources and canonical works","Extracting principles that transfer to other media"],"recipe":{"type":"Observe the letters, signs and scale of reference works","layout":"Extract the one structure that governs gaze and information","material":"Verify the materials and behaviors specific to era, region and process"},"avoid":"Don't reduce it to surface signs. Verify the context of era, region, technology and makers.","study":["The Kalighat temple market","the influence on Jamini Roy","colonial social satire"]}}